"If you fake the funk, your nose will grow." — Bootsy Collins
One of my New Year’s resolutions for 2003 was to write more in this blog than I did last year–even if the entries are less polished (& hence less good).
I’ll start by talking about Abel Ferrara’s R-Xmas–which I think is the greatest Christmas movie, ever….
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Hal Hartley’s No Such Thing got almost no favorable notice when it came out in 2001. But I found it deep and compelling, one of Hartley’s best films. It’s sort of his version of Beauty and the Beast, or maybe Songs of Innocence and Experience…
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As a great admirer of the films of Kathryn Bigelow, I went this weekend to see her new movie, K19:The Widowmaker“, starring Harrison Ford. While it is far from my favorite of her films, I wasn’t disappointed…
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I saw a number of fine films at the just-ended Seattle International Film Festival, but the one that has stuck in my mind the most, indeed haunted me, was Shunji Iwai’s All About Lily Chou-Chou….
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It’s hard to comment on Jean-Luc Godard’s 2001 film Eloge de l’amour(In Praise of Love) after only having seen it once (earlier today at the Seattle International Film Festival). But I’ll try…
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The Deep End, by Scott McGehee and David Siegel, is one of the finer independent films of 2001. Crossing noir and melodrama, the film is a fairly close remake of the last of Max Ophuls’ three Hollywood films, The Reckless Moment (1949).
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I just saw (on DVD) Richard Kelly’s Donnie Darko, which is an extraordinarily beautiful film, certainly one of the best movies of 2001. It’s a delicate, creepy, and quite affecting portrait of male teenage alienation and angst, subtly bathed in the colors of what might be described either as schizophrenic hallucination, or as science fiction….
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Seeing Monster’s Ball made me wish that James Baldwin were still alive, because Baldwin wrote the book on the racial hypocrisy of Hollywood. Monster’s Ball continues the tradition of films like The Defiant Ones and Guess Who’s Coming To Dinner–films that wear their ostensibly anti-racist messages on their sleeves, while actually continuing to perpetuate the worst racist stereotypes…
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I just saw Trouble Every Day, the latest film by Claire Denis. I seem to be one of the very few people who actually liked it. It’s gotten bad reviews from nearly every reviewer, except for my friend Charles Mudede. But I think it is an amazing film…
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I really like the new video for “Oops! Oh My!” by Tweet. It’s been playing in heavy rotation on VH-1 Soul and BET…
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