{"id":163,"date":"2003-08-30T23:07:23","date_gmt":"2003-08-31T03:07:23","guid":{"rendered":"http:\/\/www.shaviro.com\/Blog\/?p=163"},"modified":"2003-08-30T23:07:23","modified_gmt":"2003-08-31T03:07:23","slug":"bruiser","status":"publish","type":"post","link":"http:\/\/www.shaviro.com\/Blog\/?p=163","title":{"rendered":"Bruiser"},"content":{"rendered":"

Bruiser<\/em><\/a> is the only film that the great George Romero<\/a> has been able to make in the last ten years. It’s about a man who lets everyone use him as a doormat, until one day he wakes up and finds himself without a face – there’s nothing but a blank mask. He goes on a revenge spree, killing his bitchy wife, his alleged best buddy who has ripped him off, and everyone else who has betrayed him, ending with his evil, sexist, exploitative, self-aggrandizing boss. The film is visually striking (in a nicely overwrought sort of way), psychologically tense and intense, and especially delicious in its sarcastic portrayal of corporate culture. All in all, though, it doesn’t quite have the allegorical richness and resonance of Romero’s best films (among which I would include, besides the Living Dead<\/em> trilogy, Martin<\/em> and Monkey Shines<\/em>). But even this lesser effort shows what a brilliant director Romero is. It is sad, and a telling symptom of the general rottenness of the film industry today, that he has gotten so few opportunities to direct films under his own control in the last decade and a half.<\/p>\n","protected":false},"excerpt":{"rendered":"

Bruiser<\/em><\/a> is the only film that the great George Romero<\/a> has been able to make in the last ten years. It’s about a man who lets everyone use him as a doormat, until one day he wakes up and finds himself without a face – there’s nothing but a blank mask. He goes on a revenge spree, killing his bitchy wife, his alleged best buddy who has ripped him off, and everyone else who has betrayed him, ending with his evil, sexist, exploitative, self-aggrandizing boss. The film is psychologically tense and intense, and especially delicious in its sarcastic portrayal of corporate culture; though it doesn’t quite have the allegorical richness and resonance of Romero’s best films (among which I would include, besides the Living Dead<\/em> trilogy, Martin<\/em> and Monkey Shines<\/em>). But even this lesser effort shows what a brilliant director Romero is. It is sad, and a telling symptom of the general rottenness of the film industry today, that he has gotten so few opportunities to direct films under his own control in the last decade and a half.<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3],"tags":[],"class_list":["post-163","post","type-post","status-publish","format-standard","hentry","category-film"],"_links":{"self":[{"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=\/wp\/v2\/posts\/163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=163"}],"version-history":[{"count":0,"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=\/wp\/v2\/posts\/163\/revisions"}],"wp:attachment":[{"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=163"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.shaviro.com\/Blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}