| Books: | Passion and Excess: Blanchot, Bataille, and Literary Theory (Florida State University Press, 1990). |
|---|---|
| The Cinematic Body (University of Minnesota Press, 1993). | |
| Doom Patrols: A Theoretical Fiction About Postmodernism (Serpent's Tail, 1997). | |
| Connected, Or, What It Means To Live in the Network Society (University of Minnesota Press, 2003). | |
| Without Criteria: Kant, Whitehead, Deleuze, and Aesthetics (MIT Press, 2009). | |
| Articles: | "Browning Upon Caliban Upon Setebos," Browning Society Notes 12:2-3 (no date), 3-18. |
| "Striving With Systems: Blake and the Politics of Difference," Boundary 2 10:3 (Spring 1982), 229-250. | |
| "Burroughs' Theater of Illusion: Cities of the Red Night," Review of Contemporary Fiction 4:1 (Spring 1984), 64-74. | |
| "That Which is Always Beginning: Stevens's Poetry of Affirmation," PMLA 100:2 (March 1985), 220-233. | |
| "From Language to Forms of Life: Theory and Practice in Wittgenstein," Social Text 13/14 (Winter/Spring 1986), 216-234. | |
| "A Chacun Ses Sexes: Deleuze and Guattari's Theory of Sexuality," Discours Social/Social Discourse I 3 (Winter 1988), 287-299. | |
| "Exorbitance and Death: Marguerite Young's Vision," Review of Contemporary Fiction 9:3 (Fall 1989), 191-197. | |
| "Lost Chords and Interrupted Births: Marguerite Young's Exorbitant Vision," Critique 31:3 (Spring 1990), 213-222. | |
| "Complicity and Forgetting," MLN 105:4 (Sept. 1990), 819-832. | |
| "Masculinity, Spectacle, and the Body of Querelle," Discours Social/ Social Discourse III 3/4 (Fall/ Winter 1991), 171-177. | |
| "The Very Life of the Darkness: A Reading of Blood Meridian," Southern Quarterly 30:4 (Summer 1992), 111-121. | |
| "Bodies of Fear: The Films of David Cronenberg," in The Politics of Everyday Fear, ed. Brian Massumi (University of Minnesota Press, 1993), 135-135 | |
| "If I Only Had A Brain," Popular Culture Column, Postmodern Culture 4:1 (Sept. 1993). | |
| "Cindy Sherman, Cindy Sherman," Nobodaddies 1 (Spring/Summer 1994), 30-34. | |
| "My Others, My Selves: The Troops for Truddi Chase," in Black Ice 11-12 (1995), 56-63. | |
| "Two Lessons from Burroughs," in Posthuman Bodies, ed. Judith Halberstam and Ira Livingston (University of Indiana Press, 1995), 38-54. | |
| "Confusion Is Sex," Two Girls Review 2:1 (1995), 30-37. | |
| "Strategies of Disappearance: or, Why I Love Dean Martin," in In Memoriam to Postmodernism, ed. Mark Amerika and Lance Olsen (San Diego State University Press, 1995) 120-131. | |
| "Warhol Before the Mirror," in Who Was Andy Warhol? , ed. Colin MacCabe, with Mark Francis and Peter Wollen (British Film Institute, 1997), 89-95. | |
| "Beauty Lies in the Eye," in Canadian Review of Comparative Literature 24:3 (September 1997), 461-471. | |
| "Intrusions: Lost Highway and the Future of Narrative," in Para*doxa 4:11 (1998), 501-509. | |
| "Regimes of Vision: Kathryn Bigelow, Strange Days," Polygraph 13 (2001) 59-68. | |
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"Fire and Ice: The Films of Guy Maddin," in North of Everything: English-Canadian Cinema Since 1980, ed. William Beard and Jerry White (University of Alberta Press, 2002) 216-221. |
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"The Erotic Life of Machines," parallax 25 (October-December 2002) 21-31. |
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"Straight From the Cerebral Cortex: Vision and Affect in Strange Days," in The Cinema of Kathryn Bigelow: Hollywood Transgressor, ed. Deborah Jermyn and Sean Redmond (Wallflower Press, 2003) 159-177. |
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"The Life, After Death, of Postmodern Emotions," in Criticism 46:1 (Winter 2004), 125-141. |
| "Supa Dupa Fly: Black Women as Cyborgs in Hiphop Videos," Quarterly Review of Film and Video 22:2 (April-June 2005) 169-179. | |
| "Prophecies of the Present," Socialism and Democracy 20:3 (November 2006), 5-24. | |
| "Cliches of Identity: Chantal Akerman's Musicals," Quarterly Review of Film and Video 24:1 (January-March 2007), 11-17. | |
| "Without Criteria," in Sensorium: Aesthetics, Art, Life, ed. Barbara Bolt, Felicity Colman, Graham Jones, Ashley Woodward (London: Cambridge Scholars Press, 2007) 2-14. | |
| "Emotion Capture: Affect in Digital Film," Projections 1:2 (Winter 2007), 37-55. | |
| "The Cinematic Body REDUX," parallax 14:1 (February 2008), 48-54. | |
| "Novelty and Double Causality in Kant, Whitehead, and Deleuze," in Deleuze, Guattari, and the Production of the New, ed. Simon O'Sullivan and Stephen Zepke (New York: Continuum, 2008), 206-216. | |
| "Money for Nothing: Virtual Worlds and Virtual Economies," in Virtual Worlds, ed. Mary Ipe (Hyderabad: The Icfai University Press, 2008), 53-67. | |
| "The Singularity Is Here," in Red Planets: Marxism and Science Fiction, ed. Mark Bould and China Mieville (London: Pluto Press, 2009), 103-117. | |
| “Pop Utopia: The Promise and Disappointment of Michael Jackson,” in The Resistible Demise of Michael Jackson, ed. Mark Fisher (Winchester, UK: Zero Books, 2009), 51-62. | |
| "Interstitial Life: Subtractive Vitalism in Whitehead and Deleuze," Deleuze Studies 4:1 (March 2010), 107-119. |
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| "Post-Cinematic Affect: On Grace Jones, Boarding Gate, and Southland Tales," Film-Philosophy 14:1 (2010). |
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| Online Publications: | Stranded in the Jungle (1998-2004). |
| Returning to the Scene of the Perfect Crime, Or, How I Learned to Stop Worrying and Love the Virtual (2003) | |
| "Take Me Back": Ghostface's Ghosts (2007) | |
| The 'Bitter Necessity' of Debt: Neoliberal Finance and the Society of Control (2010). |
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| Literary Publications: | "Swoon," in Globe: The Australian Journal of Contemporary Visual Arts, 3 (1996). |
| "Swoon," "Abducted," and "Oblique," in Tapeworm #5 (Spring 1997), 11-13. | |
| "Nocturnal," "Abducted," and "Blood," in Northwest Edge: Deviant Fictions, ed. Lidia Yuknavitch and L. N. Pearson (Portland and San Diego: two girls, 2000), 55-57 and 184-188. | |
| "Robotic" and "Lost," in Hard_Code: Narrating the Network Society, ed. Eugene Thacker (Alt-X Ebooks, 2001), 62-64, 197-199 (available at http://www.altx.com/ebooks/hard_code.html). | |
| "Intrusion," "Robotic," and "Instrumental," in Trepan 3 (Spring/Summer 2001) 24-29. | |
| "Robotic" and "Seen," in Two Girls Review 3:1 (2001), 74-75. | |
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"Explosion," and "Acid," in Calaveras Station 1:5 (2002), 7-10. |
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"Fame," "Fashion," and "Sensitivity," in The Rendezvous Reader: Northwest Writing, ed. Novella Carpenter, Paula Gilovich, and Rachel Kessler (Tenth Avenue East Publishing, 2002) 107-135. |
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| Reviews/Notes: | "For a Libidinal Economics of Poetry," Some Other Magazine 3-4 (Fall 1980), 8-12. |
| Review of recent books on deconstruction, The Minnesota Review 23 (Fall 1984), 208-214. | |
| Reply to letters concerning article on Wallace Stevens, PMLA 100:5 (October 1985), 816-817. | |
| Review of Postmodernism and Politics, ed. Jonathan Arac, Sub-Stance 55 (1988), 95-97. | |
| Extract from MLA talk, "Genet's Last Testament," Lesbian and Gay Studies Newsletter 18:1 (March 1991), 20. | |
| "Trials of Photography," review of recent books on postmodernism and photography, Arts Magazine 66:2 (October 1991), 31-34. | |
| Review of The Optical Unconscious, by Rosalind Krauss, The Print Collector's Newsletter 24:5 (November-December 1993), 196-197. | |
| Review of Compulsive Beauty by Hal Foster, The Print Collector's Newsletter 25:1 (March-April 1994), 34-36. | |
| Program Notes for "Peggy Ahwesh: Girls Beware!," a retrospective of the films of Peggy Ahwesh, The Whitney Museum of American Art, New American Film and Video Series, 81, July-August 1997. | |
| Review of exhibition, "New Concepts in Printmaking: Peter Halley," On Paper 2:2 (November-December 1997), 42-43. | |
| Interviewed by Gady Brinker, in Winged Ape 6 (1998), 3-5. | |
| "Blood" (review of Doug Rice, Blood of Mugwump) in Discourse 20:1-2 (Winter-Spring 1998), 124-126. | |
| "Is This Desire?" (review of Dodie Bellamy, The Letters of Mina Harker) in Washington Review 25:1 (June/July 1999), 24-25. | |
| Review of Exhibition: Allan Sekula, Fish Story, Henry Art Gallery, in Art On Paper 3:6 (July-August 1999), 63-64. | |
| "Ten Reflections on Mark Amerika's PHON:E:ME," Walker Art Center Gallery 9, http://phoneme.walkerart.org/shaviro.html (Summer 1999) | |
| Review of Marguerite Young, Harp Song for a Radical: The Life and Times of Eugene Victor Debs, in Review of Contemporary Fiction 20:1 (Spring 2000), 178. | |
| "Random Acts of Contact," review of Samuel R. Delany, Times Square Red, Times Square Blue, in American Book Review 21:3 (March-April 2000), 34. | |
| Review of Andy Warhol catalogues, in Art on Paper 4:4 (March-April 2000), 87-89. | |
| Introduction to DVD-ROM, "Performing Life: The Work of Tehching Hsieh" (Autumn 2000). | |
| Interviewed by Zoran Roško, in Quorum (1/2000), 125-142. | |
| "Mille écrans," Preface to Damien François, L'Immédiateté: Anthropologie culturelle critique (Peter Lang, 2000). | |
| "Berlin Was Ground Zero: A Letter From USA," in Sehnsucht Berlin, ed. Petra Sorg and Henning Brüns (Tübingen: Konkursbuch Verlag, 2000) 225-227. | |
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Response to Richard Doyle's "LSDNA," in Semiotic Flesh: Information and the Human Body, ed. Philip Thurtle and Robert Mitchell (Walter Chapin Simpson Center for the Humanities, University of Washington Press, 2002) 25-27. |
| "Capitalist Monsters," in Historical Materialism: Research in Critical Marxist Theory 10:4 (2002) 281-290. | |
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"Ontology of the Virtual," in Experimental Theology: Public Text 0.2, ed. Robert Corbett and Rebecca Brown (Seattle: Seattle Research Institute, 2003), 43-52. |
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"Histories of the Future," review of Bruce Sterling, Tomorrow Now: Envisioning the Next 50 Years, in The Electronic Book Review, volume 3 (June 22, 2003). |
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"'I Felt Like Destroying Something Beautiful': Fight Club and the New Aesthetic Paradigm," in Phantom of Desire: Visions of Masochism, Essays and Texts, ed. Peter Weibel (Belleville: Neue Galerie Graz am Landesmuseum Joanneum, 2003) 211-214. |
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Review of Reading the Figural, Or, Philosophy After the New Media, by David N. Rodowick, in Comparative Literature 55:3 (Summer 2003) 270-272. |
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"Undead (For Kathy Acker)," in Northwest Edge: Fictions of Mass Destruction (Portland: Chiasmus Press, 2003) 44-47. |
| “My Summary,” in séance, ed. Christine Wertheim and Matias Viegener (Los Angeles: Make Now, 2006), 199-205. | |
| "Warum Porn Now?," in "Eine Umfrage zur Pornografie," Texte Zur Kunst 64 (December 2006), 103-105. | |
| Interviewed by Roy Christopher, in Follow for Now: Interviews with Friends and Heroes, ed. Roy Christopher (Seattle: Well-Read Bear, 2007), 283-287. | |
| Review of The Souls of Cyberfolk: Posthumanism as Vernacular Theory, by Thomas Foster, in MLQ 68:3 (September 2007), 457-460. | |
| "Hypermediated
Minimalism," review of Spook Country by William
Gibson, in American Book Review 28:6
(September/October 2007), 16. |
|
| "Strategies for the War on Culture," review of Beyond the Techno-Cave by Harold Jaffe, in American Book Review 29:1 (November/December 2007), 20-21. | |
| "You Will Never Own a Jetpack: Warren Ellis' Doktor Sleepless," backmatter in Warren Ellis and Ivan Rodriguez, Doktor Sleepless #7: Marg Bar Amrika (Rantoul, Illinois: Avatar Press, May 2008). | |
| "Geek Love is All You Need," review of Half Life by Shelley Jackson, Electronic Book Review (http://www.electronicbookreview.com/thread/fictionspresent/conjoined), November 2008. | |
| "Innovation and Negation," review of Multitude: Between Innovation and Negation by Paolo Virno, Criticism 50:2 (2009), 319-325. | |
| "Caché," in The Films of Michael Haneke, ed. William Beard (Edmonton: Metro Cinema and Worth Institute, 2009), 64-69. | |
| "Monstruous Flesh," in HTV Artpapers #77: "Imaginary Property," http://www.htvnews.nl/.
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| "A Modest Proposal: Some Thoughts on the Crisis," in Re-Public: Reimagining Democracy, special issue "Representing the crisis / Representing debt," http://www.re-public.gr/en/?p=1466, Fall 2009.
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| "Asynchronous Realtime: Mark Amerika’s Immobilité," in Mark Amerika: Unrealtime, exhibition catalogue (Athens, Greece: Hellenic Ministry of Culture/National Museum of Contemporary Art, 2009), 37-39. |
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| "Communism
at Birkbeck," review of "On the Idea of Communism" conference, Birkbeck
College, London, 13-15 March 2009, in Criticism 51:1 (Winter 2009),
147-155. |
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| Journalism: | "New Pleasures: The Films of Chantal Akerman and Marguerite Duras," Nine One One Contemporary Arts Newsletter, March/April 1986, 3. |
| "Between Nihilism and Spirituality: The Razor's Edge of William S. Burroughs," Reflex II 5 (September/ October 1988), 11. | |
| "Questioning Limits: Kathy Acker at COCA," Reflex III 4 (July/August 1989), 19-20. | |
| "The Gaze Exploded: Films by Jane Campion and Kathryn Bigelow," Reflex IV 3 (May/June 1990), 25. | |
| "Visual Beauty, Bold Themes: Preview of The Arab Film Festival," Reflex IV 4 (July/August 1990), 18. | |
| Film Review: "The Documentator," Reflex IV 4 (July/August 1990), 25. | |
| "Close to the Knives: David Wojnarowicz," Reflex IV 5 (September/ October 1990), 25. | |
| "ACT UP and the Art of Political Protest," Reflex IV 6 (November/ December 1990), 15. | |
| "Mainstream Guerilla: Sixth International Festival of Films by Women Directors," Reflex VI 2 (March/April 1992), 25. | |
| "No More Apologies: Queer Bodies," Reflex VI 3 (May/June 1992), 18. | |
| "Territories of the Flesh," Reflex VI 5 (September/October 1992), 12. | |
| "Tin-Eared Yalie: Camille Paglia at Kane Hall," Reflex VI 6 (November/December 1992), 16. | |
| "IRWIN: Interview with Miran Mohar," Reflex VII 2 (March/April 1993), 15 (co-written with Tatjana Pavlovic). | |
| Film Review: "La Vie de Boheme," Reflex VIII 1 (January/ February 1994), 25. | |
| "A Promise of Intimacy: Gary Hill at the Henry Art Gallery," Reflex VIII 4 (August/September 1994), 30. | |
| Interviewed by Novella Carpenter, "The Pleasure Principle: Chasing Fashion, Porn, and Horror with Steven Shaviro," The Stranger 4:20 (February 14-20 1995), 18-19; reprinted in Alternative-X (June 1995). | |
| "Low Budget Mayhem (Mystery Science Theater 3000: The Movie)", The Stranger 5:31 (April 24-30 1996), 14-15. | |
| "Playing in the MUD," The Stranger 5:32 (May 1-7, 1996), 12-13. | |
| "Jerry Lewis," The Stranger 5:41 (July 4-10, 1996), Film Guide Supplement 4. | |
| Book Review: Blood of Mugwump, by Doug Rice, Cups 76 (November 1996), 34. | |
| "Prince's Cherry," The Stranger 6:18 (January 23-29, 1997), Film Guide Supplement 10. | |
| "The Birth of a Story: Raoul Ruiz's Bizarre World," The Stranger 6:32 (May 1-7, 1997), 21. | |
| "The Seattle Audience Syndrome: Getting the SIFF We Deserve," The Stranger 6:33 (May 8-14, 1997), 19 (published under the pseudonym "Spike Levi") | |
| "Daydream Nation: Steve Erickson's American Nomad," The Stranger 6:34 (May 15-21, 1997), 23-25. | |
| "The Ones That Got Away: A Few Films That Didn't Make It To SIFF This Year," The Stranger 6:38 (June 12-18, 1997), 15. | |
| "Cult Fiction: Pynchon the Obscure?," The Stranger 6:46 (August 7-13, 1997), 23. | |
| Book Reviews: Cruel Sacrifice by Aphrodite Jones and Witnessed by Budd Hopkins, The Stranger 7:9 (November 20-26, 1997), Literary Supplement 8-9. | |
| "Mark Amerika's Grammatron," in Artbyte 1:1 (April-May 1998), 24-25. | |
| "Fringe Research: Deconstructing Beck," in Artbyte 1:2 (June-July 1998), 16-17 (available online at ® TMark) | |
| "Missing in Action: Films That Didn't Play the Seattle International Film Festival," The Stranger 7:43 (July 16-22, 1998), Film Guide 7. | |
| "Future Past: Zoe Beloff's Beyond," Fringe Research column in Artbyte 1:3 (August-September 1998), 16-18. | |
| "Gary Hill's Reflex Chamber," Fringe Research column in Artbyte 1:4 (October-November 1998), 14-15. | |
| "Simulation of Life: Intimacy in the Age of Digital Dissemination," Fringe Research column in Artbyte 1:5 (December 1998-January 1999), 14-15. | |
| "Viva Las Vegas," Fringe Research column in Artbyte 1:6 (February-March 1999), 14-15. | |
| "Virtual Pleasure, Virtual Pain: Diane Gromala's Dancing with the Virtual Dervish," Fringe Research column in Artbyte 2:1 (April-May 1999), 20-21. | |
| "Revenge of the Chatterbots," Fringe Research column in Artbyte 2:2 (Summer 1999), 24-25. | |
| "Through a Monitor, Darkly: William Scarbrough's Prosthetic," Fringe Research column in Artbyte 2:3 (September-October 1999), 26-27. | |
| "New Ways of Seeing: Digital Film," Fringe Research column in Artbyte 2:4 (November-December 1999), 26-27. | |
| "Shoutcast: Everybody is a DJ," Fringe Research column in Artbyte 2:5 (January-February 2000), 26-27. | |
| "Atomic Dogs," Fringe Research column in Artbyte 2:6 (March-April 2000), 22-23. | |
| "New Wine in Old Bottles," IndiePlanet Art Channel, week of March 26, 2000. | |
| "Napster and its Discontents," Fringe Research column in Artbyte 3:1 (May-June 2000), 18-19. | |
| "How to Sell Out: The Webby Awards 2000," The Stranger 9:36 (May 25-31, 2000), 19-21. | |
| "Single White Female: Ananova Puts a Human Face on Technology," Fringe Research column in Artbyte 3:2 (July-August 2000), 18-20. | |
| "Crossing The Line," IndiePlanet Art Channel, week of June 5, 2000. | |
| "Human, All Too Human," Fringe Research Column in Artbyte 3:3 (September-October 2000), 26-28. | |
| "The End of Childhood, Beginning: Philip Pullman's Quantum Leap in Kids' Books," The Stranger 10:13 (December 14-20, 2000), 41. | |
| "Kafka's Brain: Steve Aylett's Novel of Overload," The Stranger 10:15 (December 28, 2000-January 3, 2001), 31. | |
| "Wayback Machines," review of The Language of New Media by Lev Manovich, Artbyte 4:1 (May-June 2001) 86. | |
| "The Cinema of Absence: Film's Retreat from Total Reality," The Stranger 10:42 (July 5-11, 2001) 19-23. | |
| "Super Transgressions: The New Pathologies," review of J. G. Ballard, Super-Cannes, The Stranger 11:11 (November 28-December 5, 2001), 23. Slightly longer (uncut) version reprinted in The Portland Mercury, 2:27 (December 6-12, 2001). | |
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Review of The Crime Studio, by Steve Aylett, The Stranger 11:19 (January 24-30, 2002) 55. |
| "The End of Cinema: Big Ideas, Big Emotions," Critical Mass, Northwest Film Forum Film Calendar, Spring 2002. | |
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Interviewed by Roy Christopher, Front Wheel Drive webzine |
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Interviewed by Branimira Nazarin, Jutarnjiri List Saturday Magazine (Zagreb Croatia), May 18, 2002, 24-25. |
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"Remembering the Future: Structures of Time in Contemporary Film," Reel News 10:2 (May 2002) 3-4, 7. |
| Interviewed by Neven Jovanovic, Zarez (Zagreb, Croatia) 82 (June 6, 2002). | |
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"Google Space: William Gibson's New Novel Takes Place in This Our Very Young Century," review of Pattern Recognition by William Gibson, The Stranger 12:25 (March 6-12, 2003) 29. |
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Review of ((FREQUENCIES)), by Joshua Ortega, The Stranger 12:40 (June 19-25, 2003) 31. |
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"Menage a Cinq: Lurid Lawyers, Meth Labs, Aryan Warriors, Hell Hounds, and Much More Are in the Red Zone," review of Red Zone: The Behind-the-Scenes Story of the San Francisco Dog Mauling by Aphrodite Jones, The Stranger 12:46 (July 31-August 6, 2003) 32. |
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"Slacker Utopia: Cory Doctorow Imagineers Our High-Tech Future," review of Down and Out in the Magic Kingdom by Cory Doctorow, The Stranger 12:50 (August 28-September 3, 2003) 26. |
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"Picture Imperfect: Steven Shaviro on Moblogs," "Tech" column, Artforum International (October 2003) 61. |
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"The Persistence of Melodrama," Critical Mass, Northwest Film Forum Film Calendar, Winter 2004. |
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"Genetic Disorder: Steven Shaviro on Bioaesthetics," "Tech" column, Artforum International (January 2004) 42. |
| "Come, Come, Georges: Steven Shaviro on Georges Bataille’s Story of the Eye and Ma Mère," Artforum International (May 2005) 53-56. | |
| Note on Aki Kaurismaki, Northwest Film Forum Celebrates Ten Years (September 2005) 27. | |
| “Power Station: A Review of the Transportation Hub in China Miéville’s Perdido Street Station,” in Arcade: Architecture/Design in the Northwest 24:1 (Autumn 2005), 37. | |
| "A Desire Called Utopia: Fredric Jameson Gets to the Bottom of Science Fiction,"The Stranger 15:14 (December 15-21, 2005). | |
| Reprints and Translations: | "Browning Upon Caliban Upon Setebos," in Robert Browning: Modern Critical Views, ed. Harold Bloom (New York: Chelsea House, 1985), 139-150. |
| "Striving With Systems: Blake and the Politics of Difference," in Essential Articles for the Study of William Blake: 1970-1984, ed. Nelson Hilton (Hamden: Archon Books, 1986), 271-299. | |
| "That Which is Always Beginning: Stevens's Poetry of Affirmation," in Critical Essays on Wallace Stevens, ed. Steven Gould Axelrod and Helen Deese (Boston: G. K. Hall, 1988), 191-213. | |
| "Burroughs' Theater of Illusion: Cities of the Red Night" (revised version), in William Burroughs at the Front: Critical Reception, 1959-1989, ed. Jennie Skerl and Robin Lydenberg (Carbondale: Southern Illinois University Press, 1991), 197-207. | |
| From "Striving With Systems: Blake and the Politics of Difference" in Critical Essays on William Blake, ed. Hazard Adams (Boston: G. K. Hall, 1991), 164-174. | |
| "The Very Life of the Darkness: A Reading of Blood Meridian," in Pespectives on Cormac McCarthy, ed. Edwin T. Arnold and Dianne C. Luce (Jackson: University Press of Mississippi, 1993), 143-156. | |
| "Exorbitance and Death: Marguerite Young's Vision," in Marguerite Young, Our Darling: Tributes and Essays, ed. Miriam Fuchs (Normal, IL: Dalkey Archive Press, 1994), 122-128. | |
| "My Others, My Selves: The Troops for Truddi Chase," in Degenerative Prose, ed. Mark Amerika and Ronald Sukenick (Boulder: Fiction Collective Two, 1995), 56-63. | |
| "Bill Gates" (excerpt), from Doom Patrols, in Clear-Cut: Anthology, A Collection of Seattle Writers, ed. Nico Vassilakis (Seattle: Sub Rosa Press, 1996), n. p. | |
| Doom Patrols, Preface and Chapter 1, Hebrew translation by Gady Brinker, in Winged Ape 5 (1997), 25-28. | |
| Doom Patrols,, from Chapter 12, Hebrew translation by Gady Brinker, in Ha'aretz, Internet Supplement, September 30, 1997, 1 and 6-7. | |
| Doom Patrols: Streifzuge durch die Postmoderne, German translation by Thomas Hartl (Mannheim: Bollman Verlag, 1997). | |
| Doom Patrols, from Chapter 10, Hebrew translation by Ido Ben-Knann, in Ha'aretz, Internet Supplement, March 10, 1998, 1 and 8-9. | |
| "Warhol and Castro," chapter 16 of Doom Patrols, in American Book Review 19:3 (March-April 1998), 10 and 28. | |
| "Beauty Lies in the Eye," in Symploke 6:1-2 (1998), 96-108. | |
| Selections from Doom Patrols and Stranded in the Jungle, Croatian translations in Quorum (1/2000), 143-207. | |
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"Mon chien vert est doux comme un Aibo," Courrier International 544 (April 5-11, 2001) 63. |
| "Mark Amerika's Grammatron" and "Ten Reflections on Mark Amerika's PHON:E:ME", Japanese translations, in conjunction with online exhibition Avant Pop: The Stories of Mark Amerika, Media Arts Plaza, Tokyo, Japan, Summer 2001. | |
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"Beauty Lies in the Eye," in A Shock to Thought: Expression After Deleuze and Guattari, ed. Brian Massumi (New York: Routledge, 2002) 9-19. |
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"La pattuglia dell'Inesorabile," Italian translation of Chapter 1 of Doom Patrols, in Cyberzone 16 (2002) 97-102. |
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"Ligacoes Perigrosas: A Ontologia das Redes Digitals," in Critica das Ligacoes na Era da Tecnica, ed. Jose A. Braganca de Miranda and Maria Teresa Cruz (Lisboa: Tropismos, 2002) 197-214. |
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"Dean Martin oder Streifzuge durch die Postmoderne," in Jurgen Felix, ed., Die Postmoderne im Kino: Ein Reader (Schuren, 2002) 258-267. |
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"Es war mir, als ob ich etwas schones zerstorte: Fight Club und das neue esthetische Paradigma," in Phantom der Lust: Visionen des Masochismus, Band 1, ed. Peter Weibel (Belleville: Neue Galerie Graz am Landesmuseum Joanneum, 2003) 390-397. |
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Italian translation of brief excerpts from Connected, by Stefano Franzoni, in Cyberzone 18 (2003) 13-17. |
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Croatian translation of miscellaneous writings, ongoing in Zarez 116ff (2003). |
| Selection from Connected, reprinted in séance, ed. Christine Wertheim and Matias Viegener (Los Angeles: Make Now, 2006), 97-101. | |
| "Regresando a la escena del crimen perfecto," Spanish translation of "Returning to the Scene of the Perfect Crime," in webzine La Langosta Se Ha Posteado, August 2009. | |
| "Fire and Ice: The Films of Guy Maddin," in Playing with Memories: Essays on Guy Maddin, ed. David Church (Winnipeg: University of Manitoba Press, 2009), 70-78. | |
| Conferences and Lectures: | "Passion and Repetition in Blanchot," in "Rereading Blanchot in the 1980s," MLA Special Session, New York, December 1983. |
| "Silencing Theory," in "The Bearing of Nietzschean Critique on Marxist Social Theory," MLA Special Session, Washington, D. C., December 1984. | |
| "The Passion of the Now: Desire and Affirmation in Au moment voulu," in session on Maurice Blanchot, 3rd Colloquium on Twentieth-Century Literature in French, Baton Rouge, LA, March 1986. | |
| Respondent, session on Post-Modernism, 3rd Colloquium on Twentieth-Century Literature in French, Baton Rouge, LA, March 1986. | |
| "Decapitations: Passion, Power, and Agency," in "Models of Agency," Conference on Value, International Association for Philosophy and Literature, Seattle, WA, May 1986. | |
| Session Leader, "Anti-Oedipus Fifteen Years Later," MLA Special Session, New York, December 1986. | |
| "Deleuze and Guattari's Theory of Sexuality," in "Anti-Oedipus Fifteen Years Later," MLA Special Session, New York, December 1986. | |
| "Complicity and Forgetting," in "Blanchot and De Man: Impersonality, Intederminacy, Interminability," MLA Special Session, San Francisco, December 1987. | |
| Presentation on Deleuze and Guattari's Anti-Oedipus, in conference-seminar "The Post-Freudian Subject," Department of Romance Languages, University of Washington, Seattle, May 1988. | |
| Presentation on Cuban Cinema, for conference honoring 30 Years of Casa de las Americas, University of Washington, Seattle, May 1989. | |
| Panelist, "New Directions in Film and Video," Second Thursday Arts Panel, Seattle, January 1990. | |
| "Masculinity, Spectacle, and the Body of Querelle," in "Bodies and Boundaries: East and West" conference, McGill University, Montreal, February 1990. | |
| Session Leader, "Jean Genet's Un captif amoureux," MLA Special Session, Chicago, December 1990. | |
| "Genet's Last Testament," in "Jean Genet's Un captif amoureux," MLA Special Session, Chicago, December 1990. | |
| "Film Theory and Visual Fascination," Western Washington University, Bellingham, January 1991. | |
| Panelist, "Penetrating Views: Two Approaches to Film Criticism," Second Thursday Arts Panel, Seattle, April 1992. | |
| Panelist, "Queer Bodies," The Evergreen State College, Olympia, April 1992. | |
| "Warhol's Bodies," in "Passions, Persons, Powers" conference, University of California, Berkeley, April-May 1992. | |
| Respondent, Symposium on Alphonso Lingis's Extremes, in "Passions, Persons, Powers" conference, University of California, Berkeley, April-May 1992. | |
| "Why Language is a Virus," in "Post-Human Bodies," University of California at San Diego, May 1993. | |
| "Introducing Multiple Personalities," in "Re-framing the Erotic," University of Washington, Seattle, May 1993. | |
| "Why Dead Bodies Return to Life," in "Film Studies and Beyond," Fourth Berkeley Film Conference, University of California at Berkeley, November 1993. | |
| "Strategies of Delirium," University of Colorado at Boulder, February 1995. | |
| "Warhol Before the Mirror," in "Warhol's Worlds: The Inaugural Conference of the Andy Warhol Museum," Pittsburgh, April 1995. | |
| "Bill Gates," in "Net Work" Reading and Talk sponsored by Small Press Traffic, at New Langton Arts, San Francisco, October 1995. | |
| Keynote Address, "Beauty Lies in the Eye," in "Becoming Interdisciplinary: Practicing Deleuze and Guattari," The Pennsylvania State University, State College, PA, November 1996. | |
| "Stranded in the Jungle," University of Washington, May 1997. | |
| "Intrusions," University of Alberta, Edmonton, February 1998. | |
| "Intrusions: The Notion of Affect in David Lynch's Lost Highway and Kathryn Bigelow's Strange Days," Aesthetic Seminar, Centre for Cultural Research, University of Aarhus, Denmark, March 1998. | |
| "Intrusions," lecture at Department of Film and Media Studies, University of Copenhagen, Denmark, March 1998. | |
| "Intrusions," lecture at Program in Aesthetics and Logic, Aalborg University, Aalborg, Denmark, March 1998. | |
| "Cinema Bodies," lecture at Department of Media Studies, University of Aarhus, Denmark, March 1998. | |
| "The Internet and Popular Culture," presentation at CARTAH, University of Washington, March 1999. | |
| "Whoever: Affect Without A Subject in Strange Days and Window Shopping," Keynote Address, Australasian Society for Continental Philosophy conference, Sydney, NSW, Australia, August 1999. | |
| Lecture on recent work about virtual reality, Otis College of Art and Design, Los Angeles, April 2000. | |
| "The Life (After Death) of Postmodern Emotions," in "Emotionale: Third European Design Conference, Design and Emotion 2000," Potsdam, Germany, June-July 2000. | |
| "The Erotic Life of Machines," in "Technology and Contemporary Life" conference, Cursos de Arrabida, Portugal, September 2000. | |
| "Seattle, Capital of the Twenty-First Century," for Hugo Talks Lecture Series, Richard Hugo House, Seattle, April 2001. | |
| "Two Versions of Virtual Reality," lecture at Department of English, Uppsala University, Sweden, May 2001. | |
| "The Life (After Death) of Postmodern Emotions," lecture at Department of English, Stockholm University, and Institute for the Humanities, Blekinge Tekniska Högskola, Karlskrona, Sweden, May 2001. | |
| "The Erotic Life of Machines," lecture at Department of Journalism, Media, and Communications (JMK), Stockholm University, and Department of English, Umea University, Sweden, May 2001. | |
| "The Erotic Life of Machines," in "Refrains: Music Politics Aesthetics" conference, University of British Columbia, Vancouver, BC, Canada, September 2001. Text available in Intersects | |
| "Clichés of Identity: Chantal Akerman's Musicals," lecture at Department of English and American Literature, Brandeis University, Waltham, Massachusets, October 2001. | |
| "Dangerous Liaisons: The Ontology of Digital Networks," in "Ligacoes_Links_Liaisons" conference, Porto, Portugal, November 2001. | |
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"Connections and Disconnections; or, What It Means To Live in the Network Society," California State University-Sacramento, April 2002. |
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Two Lectures, "What It Means To Live in the Network Society" and "The Life, After Death, of Postmodern Emotions," University of Ljubljana (Slovenia), University of Maribor (Slovenia), and Mama Multimedia Center (Zagreb, Croatia), May 2002. |
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"Ontology of the Virtual," lecture/reading in "Surveillance," Fifth Annual Cultural Inquiry, Richard Hugo House, Seattle, October 2002. |
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"From Confinement to Performance: Digital Networks and the Society of Control," in First Annual Meeting, Society for Social and Political Philosophy: Historical, Continental, and Feminist Perspectives, at Society for Phenomenology and Existential Philosophy conference, October 2002. |
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"Undead (For Kathy Acker)," opening remarks for "Lust For Life: The Writings of Kathy Acker," New York University, November 2002. |
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"Powers of the Virtual," lecture at Wayne State University, Detroit, April 2003. |
| |
"Supa Dupa Fly: Styles of Subversion in Black Women's Hip-Hop," in "Skip a Beat: Rewriting the Story of Popular Music," Second Annual Pop Music Conference, Experience Music Project, Seattle, April 2003. |
| |
"Cliches of Identity: Chantal Akerman's Musicals," lecture at York University, Toronto, April 2003. |
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"What It Means To Live in the Network Society," lecture at University of Amsterdam, April 2003. |
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"I Wanted to Destroy Something Beautiful: Fight Club and the New Aesthetic Paradigm," in "Sacher-Masoch Festival: Rhetorics and Scenarios" symposium, Graz, Austria, May 2003. |
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"Powers of the Virtual," lecture at Performance Seminar (Ljubljana, Slovenia), and at Mama Multimedia Center (Zagreb, Croatia), May 2003. |
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"Returning to the Scene of the Perfect Crime; Or, How I Learned To Stop Worrying and Love the Virtual," Closing Keynote Address for "The Murder of the Real: A One-Day Symposium on Jean Baudrillard," Emily Carr Institute of Art and Design, Vancouver, British Columbia, August 2003. |
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Reading, selections from Connected, University of California, San Diego, November 2003. |
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"Parasite Networks," in "The Power and Pathology of Networks," Watson Institute for International Studies, Brown University, Providence, September 2004. |
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"Without Criteria," in "Questioning Foundations and Methods in the Humanities and Arts," Wayne State University Humanities Center Fall Symposium, Detroit, November 2004. |
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"Without Criteria," lecture at The Sense Lab, Concordia University, Montreal, November 2004. |
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"Prophecies of the Present," lecture in "Cultural Fictions," Department of Cultural Studies, Goldsmiths College, London, UK, June 2005. |
| "Social Fantasy in the Age of Aesthetics," in "The Order of Fantasies: Fantasy-Making and Fantasy-Theorizing in the 21st Century," session for American Anthropological Association annual conference, Washington, D.C., December 2005. | |
| "The Singularity is Here," in "Social Fantasy," session for Modern Language Association annual conference, Washington, D.C., December 2005. | |
| "Haunted Media: Images of Time in Digital Film," in "The Last Days of Cinema? New Directions in Film and Media Studies," Old Dominion University, April 2006. | |
| "Emotion Capture: Affect in Digital Film," in "Thinking Through Affect," Jan van Eyck Academie, Maastricht, Netherlands, September 2006. | |
| "Money for Nothing: Virtual Worlds and Virtual Economies," in "Hyperpolis 3.0: Really Useful Media," Polytechnic University, Brooklyn, New York, October 2006. | |
| "Beauty in the Age of Flexible Accumulation," in "Commodities and Aesthetics" session for "Rethinking Marxism 2006," University of Massachusetts at Amherst, October 2006. | |
| "Money for Nothing: Virtual Worlds and Virtual Economies," Humanities Center Brown Bag Lecture, Wayne State University, January 2007. | |
| "Rotoscoping the Real: From Bazin to Linklater," in "Rethinking Film Theory," session for Society for Cinema and Media Studies conference, Chicago, March 2007. | |
| Discussion of blogging, in "Scholarship and Consulting in the Expanded Media Domain," workshop session for Society for Cinema and Media Studies conference, Chicago, March 2007. | |
| "Time and Affect: Film in the Age of the Digital," Visual Culture Colloquium, Bryn Mawr College, March 2007. | |
| "Deleuze's Encounter with Whitehead," in "Deleuze and Others III," session for "Gilles Deleuze: Texts and Images: An International Conference," University of South Carolina, April 2007. | |
| “Take Me Back: Ghostface’s
Ghosts,” for “Time Traveling With the Wu-Tang,” session in Pop
Conference, Experience Music Project, Seattle, April 2007. |
|
| "Emotion Capture: Affect in Digital Film," National Taiwan Normal University, Taipei, Taiwan, and National Chi-Nan University, Puli, Taiwan, May 2007. | |
| "The 'Wrenching Duality' of Aesthetics: Kant, Deleuze, and the 'Theory of the Sensible,' " for "Deleuze’s Aesthetics," session in Society for Phenomenological and Existential Philosophy conference, Chicago, November 2007. | |
| " 'I Got Soul But I’m Not A Soldier': War, Terrorism, Media, and Subjectivity in Richard Kelly’s Southland Tales,” in War and Media Symposium, Department of English, Wayne State University, March 2008. | |
| " 'You Will Never Own a Jetpack': Warren Ellis' Doktor Sleepless," in “The New Narrative? Comics in Literature, Film, and Art” conference, University of Toronto, May 2008. | |
| "Pulses of Emotion: Whitehead’s 'Critique of Pure Feeling,' " Keynote Address for "Into the Folds" workshop, The Sense Lab, Concordia University, Montreal, May 2008. | |
| "Interstitial Life: Subtractive Vitalism in Whitehead and Deleuze," for "Deleuze, Whitehead, and Process," session in The First International Deleuze Studies Conference, Cardiff, Wales, August 2008. | |
| "Interstitial Life: Whitehead and the Question of Purpose in Biology," for "Whitehead and Deleuze, Deleuze and Whitehead," sessions in Society for Literature, Science, and the Arts conference, Charlotte, NC, November 2008. | |
| "Self-Enjoyment and Concern," in "Beyond Metaphysics? Transcontinental Explorations in Alfred North Whitehead's Late Thought," Claremont Graduate University, December 2008. | |
| "Post-Cinematic Affect," for Affective Publics Reading Group, University of Chicago, January 2009. | |
| "Dangerous Modulations: Grace Jones' 'Corporate Cannibal'," Goldsmiths College (London, UK), Anglia Ruskin University (Cambridge, UK), and University of the West of England (Bristol, UK), March 2009. | |
| "Post-Cinematic Affect in Boarding Gate and Southland Tales," Salford University (Manchester, UK), March 2009. | |
| "Post-Cinematic Affect," Keynote Address for "Emergent Encounters in Film Theory" conference, Kings College (London, UK), March 2009. | |
| "Dangerous
Modulations: Grace
Jones' 'Corporate Cannibal'," for "Constrained Pleasures," session in
Pop Conference, Experience Music Project, Seattle, April 2009. |
|
| "Iron Man as Corporate Fantasy," in "Another New Narrative: Comics in Literature, Film, and Art" conference, Toronto, May 2009. |
|
| "Post-Cinematic Affect," series of Keynote Addresses for the Nordic Summer University, Tyrifjord, Norway, July 2009. | |
| "Dangerous Modulations: Grace Jones' 'Corporate Cannibal'," Humanities Center Brown Bag Lecture, Wayne State University, September 2009. | |
| “The Actual Volcano:
Whitehead, Harman, and the Problem of Relations,” for “Whitehead and
Cosmopolitics” sessions in Society for Literature, Science, and the
Arts conference, Atlanta, November 2009. |
|
| "Some Years From This Exact Moment: Neveldine/Taylor’s Gamer and the Control Society," in "Reality Hackers" lecture series, Trinity University, San Antonio, Texas, February 2010. |
|
| "Some Years From This Exact Moment: Neveldine/Taylor’s Gamer,"
in "Filmic Horrors and Cinematic Hauntings," session for Society for
Cinema and Media Studies conference, Los Angeles, March 2010. |
|
| Keynote Address ("Dangerous
Modulations: Grace Jones' 'Corporate Cannibal' ") and Presentation of
Work in Progress ("The Muffled Drums of Relentless Flow: Towards a New
Audiovisual Aesthetics"), for Weekend Seminar, "The Music Video:
Critical Potential and Aesthetic Innovation," The Danish Design School,
Copenhagen, Denmark, March 2010. |
|
| "The Universe of Things," for Object-Oriented Ontology Symposium, Georgia Insitute of Technology, Atlanta, April 2010. |
|
| “The
‘Bitter Necessity’ of Debt: Neoliberal Finance and the Society of
Control,” for Debt conference, Center for Twenty First Century Studies,
University of Wisconsin – Milwaukee, April-May 2010. |
|
| Miscellaneous: | Guest Classroom Lecture on Cormac McCarthy's Blood Meridian, for Prof. Leo Daugherty's "Postmodernism" class, The Evergreen State College, Olympia, WA, February 1990. |
| Guest Lecture, "How to Look at Film," Cornish College of the Arts, Seattle, March 1990. | |
| Moderator, "The Body Ravished: Art On and About the Body," Second Thursday Arts Panel, Seattle, August 1992. | |
| Introduction to screening of Andy Warhol's Beauty # 2, Henry Art Gallery Film Series, Seattle, March 1993. | |
| Juror, New Directors' Showcase, Seattle International Film Festival, May-June 1994. | |
| Panelist, "Art and the Internet," Third Tuesday Arts Panel, Seattle, August 1994. | |
| Juror, American Independent Award, Seattle International Film Festival, May-June 1995. | |
| Juror, Special Projects Program, King County Arts Commission, July 1995. | |
| Moderator, "The Importance of Style in Recent Cinema," sponsored by the Seattle International Film Festival, Seattle, November 1995. | |
| Moderator, "Hong Kong/Hollywood," sponsored by the Seattle International Film Festival, Seattle, April 1996. | |
| Panelist, "Transnacionala," international art project by IRWIN and Neue Slowenische Kunst, Seattle, July 1996.Statement transcribed in Alexander Brener et al., Transnacionala: Highway Collisions Between East and West at the Crossroads of Art (Koda, 1999)169-171. | |
| Panelist, "Innovation, Experiment, and Change," Bumbershoot Writers' Forum, Seattle, September 1996. | |
| Reading, from Doom Patrols, Elliott Bay Bookstore, Seattle, January 1997. | |
| Reading, from recent work, Rendezvous Reading Series, Seattle, February 1997. | |
| Reading, from Doom Patrols, University Book Store, Seattle, March 1997. | |
| Reading, from Doom Patrols, Powell's Books, Portland OR, April 1997. | |
| Guest Classroom Lecture on Kant's Critique of Judgement for Barry Schwabsky's "Aesthetics and Culture" class, The Pratt Institute, Brooklyn New York, September 1997. | |
| Guest Virtual Lecture on Doom Patrols for Prof. Lance Olsen's "Postmodernism" graduate class, University of Idaho, September 1997. | |
| Read obituary at memorial for Kathy Acker, San Francisco, January 1998. | |
| Introduction to screening of R. W. Fassbinder's Querelle, Seattle Art Museum, February 1998. | |
| Introduction to screening of Harmony Korine's Gummo, Grand Illusion Theater, Seattle, March 1998. | |
| Guest Classroom Lecture on Online Culture, for Soeren Pold's class on multimedia and the Internet, University of Aarhus, Denmark, March 1998. | |
| Reading, from recent work, Title Wave Books Reading Series, Seattle, April 1998. | |
| Introduction to screening of Abbas Kiarostami's A Taste of Cherry, Grand Illusion Theater, Seattle, July 1998. | |
| Reading, from recent work, Soft City Prose Series, Pistil Books, Seattle, October 1998. | |
| Introduction to screening of films by Peggy Ahwesh, Grand Illusion Theater, Seattle, February 1999. | |
| Introduction to screening of films by Robert Bresson, Grand Illusion Theater, Seattle, March 1999. | |
| Presentation of recent work, College of Fine Arts, University of New South Wales, Sydney, NSW, Australia, September 1999. | |
| Led discussion after screenings of classic film noir: Double Indemnity and The Killers, Grand Cinemas, Tacoma, September 1999. | |
| Lecture, "The Erotic Life of Machines," for Artificial Life multimedia exhibition, Consolidated Works, Seattle, November 1999. | |
| Panelist, "Information Technology Trends and Implications," in the series "Information Technology and Democracy: Seminars on the Information Age," University of Washington, November 1999 and March 2000. | |
| Panelist, "Cinema in Transition," The Little Theater, Seattle, March 2000. | |
| Guest Virtual Classroom Visit, for Martin Roberts' "Interactive Documentary" class, in DIAL, The New School University's Cybercampus, April 2000. | |
| Guest Classroom Visit, Soo Kim's class on Photography and Richard Hawkins' class on Internet Art, Otis College of Art and Design, Los Angeles, April 2000. | |
| Moderator, two sessions of "Outside(r) Hollywood," Graduate Student Film Conference, University of Washington, Seattle, May 2000. | |
| Reading, selections from Stranded in the Jungle, O.K Girls Gallery, Berlin, Germany, July 2000. | |
| Group Reading, writers from Northwest Edge: Deviant Fictions anthology, Elliott Bay Bookstore, Seattle, August 2000. | |
| Art Dialogue, Andy Warhol's Drawings, Henry Art Gallery, Seattle, September 2000. | |
| Moderator, session of "Desire Unlimited: An International Conference on the Cinema of Pedro Almodovar," University of Washington, Seattle, February 2001. | |
| Lecture-Commentary at screening of Luis Bunuel, That Obscure Object of Desire, Seattle Film Society "Talking Pictures" Program, Varsity Theater, Seattle, August 2001. | |
| Juror, Links Prize for Web Art, Porto, Portugal, November 2001. | |
| Co-Organizer, "Luis Bunuel: The Liberating Eye" conference, University of Washington, Seattle, November 2001. | |
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Moderator, "Words and Guitar," session of "Crafting Sounds, Creating Meaning: Making Popular Music in the U.S.," Pop Music Studies Conference, Experience Music Project, Seattle, April 2002. |
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Introduction to Screening of Chuck Barris' The Gong Show Movie, Grand Illusion Theater, Seattle, August 2002. |
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Panelist, Cinema Seattle Screenwriters Salon, "Our Favorite Scenes," Seattle, September 2002. |
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Panelist, "What's Real About Reality TV?," Naked Eye Documentary Festival, Seattle, November 2002. |
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Voter, Seattle Film Critics Awards, 2002. |
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Presentation of Connected to Digital Media Working Group, University of Washington, January 2003. |
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Introduction to reading by William Gibson, University of Washington, February 2003. |
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Commentary at screening of Max Ophuls' The Reckless Moment, for Luminous Psyche: Selected Films of Max Ophuls, Seattle, February 2003. |
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Participant, "From Vision to Transformation: New Models of Academic Support for Digital Scholarship," Leavenworth, Washington, March 2003. |
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Group Reading, writers from Experimental Theology, Richard Hugo House, Seattle, June 2003. |
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Moderator, "Disaffected? Affected? Hip or Just Plain Strange?" writers' panel, Northwest Bookfest, Seattle, October 2003. |
| |
Group Reading, writers from Northwest Edge: Fictions of Mass Destruction, Elliott Bay Book Company, Seattle, December 2003. |
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Received Seventh Annual George Bailey Memorial Award, for contributions to the Seattle film community, from Northwest Film Forum, December 2003. |
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Introduction to screening of Aki Kaurismaki's Match Factory Girl, Grand Illusion Theater, Seattle, January 2004. |
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Reading, from Connected, Elliott Bay Bookstore, Seattle, January 2004. |
| Reading, from Connected, Ravenna Third Place Books, Seattle, March 2004. | |
| Moderator, "Rhythm Review," session of "This Magic Moment: Capturing the Spirit and Impact of Music," Pop Conference, Experience Music Project, Seattle, April 2004. | |
| Reading, for the Subtext series "Critics As Performers," Richard Hugo House, Seattle, May 2004. | |
| Introduction to reading by Cory Doctorow, Seattle, June 2004. | |
| Panelist, “Chris Marker and the Vertigo of Memory,” Consolidated Works, Seattle, June 2004. | |
| Organizer, DeRoy Lecture Series, Department of English, Wayne State University, Fall 2004-present. | |
| Panelist, First Seance on Experimental Writing, Los Angeles, October 2004. | |
| Panelist, Roundtable on Whitehead, The Sense Lab, Concordia University, Montreal, November 2004. | |
| Panelist, “Delany and New Media,” in Samuel R. Delany: A Critical Symposium, University of Buffalo (SUNY), March 2006. | |
| Led discussion on Park Chan Wook's Lady Vengeance, Detroit Film Theater, "Dinner and Discussion Sundays," May 2006. | |
| Participant, "Dancing the Virtual" workshop, The Sense Lab, Concordia University, Montreal, May 2006. | |
| Member, Editorial Board, Postmodern Culture, 2005-present. | |
| Member, Editorial Board, Projections: The Journal for Movies and Mind, 2006-present. | |
| Respondent, talk by Jonathan Marks, "Why the Race to Racialize Medicine is Better Lost," Wayne State University, October 2006. | |
| Chair,"Commodities and Aesthetics," session for "Rethinking Marxism 2006," University of Massachusetts at Amherst, October 2006. | |
| Introduction to Kenji Mizoguchi's Sansho the Bailiff, Detroit Film Theater, "Dinner and Discussion Sundays," November 2006. | |
| Member, Editorial Board, A/V: Journal for Deleuzian Studies | |
| Presentation on educational uses of blogs and of Second Life, for panel "Remediating English Studies," in HASTAC (Humanities, Arts, Science, and Technology Advanced Collaboratory) conference, Wayne State University, February 2007. | |
| Chair, "Cinema II," session for "Gilles Deleuze: Texts and Images: An International Conference," University of South Carolina, April 2007. | |
| Presentation, "Bioaesthetics, for Science and Society Working Group, Humanities Center, Wayne State University, April 2007. | |
| Led discussion of Guy Maddin's Brand Upon the Brain!, Detroit Film Theater, July 2007. | |
| Participant, "Housing the Body" workshop, The Sense Lab, Concordia University, Montreal, August 2007. | |
| Gallery Lecture, "Words and Images," MOCAD (Museum of Contemporary Art – Detroit), November 2007. | |
| Respondent, panel on "Untimely Bodies: Towards a Comparative Film Theory of Human Figures, Temporalities, and Visibilities," Society for Cinema and Media Studies conference, Philadelphia, March 2008. | |
| Led discussion of Guy Maddin's My Winnipeg, Detroit Film Theater, July 2008. | |
| Led discussion of Claude Chabrol's A Girl Cut in Two, Detroit Film Theater, October 2008. | |
| Moderator for "Viral Video," session in Pop Conference, Experience Music Project, Seattle, April 2009. |
|
| Moderator
for "Creative Bursts" panel in "Another New Narrative: Comics in
Literature, Film, and Art" conference, Toronto, May 2009.
|
|
| Discussant, “I’m Going to Pull
Down my Pants: Confession and the Cinema of Uninhibition: Roundtable
Discussion of Guy Maddin’s Films,” Jackman Humanities Center,
University of Toronto, January 2010. |
|
| Respondent, panel on
"Avant-Garde Affects: Cinematic Emotions Beyond Narrative," in Society
for Cinema and Media Studies conference, Los Angeles, March 2010. |