Audiovisually speaking, SPRING BREAKERS is utterly ravishing. It is so gorgeous as to negate or suspend the uneasiness one might legitimately feel about 1)the use of GIRL POWER as an alibi to empower a straight white dude’s jerk-off fantasy; & 2)the “wanna-be-black” fantasy by means of which straight white dudes compensate for (supplement, in the Derrida sense) their own feelings of impotent inferiority by adopting, with a vengeance, the most viciously racist stereotypes of “black masculinity” that our culture currently likes to circulate. I notice these things, but I am helplessly & successfully disarmed by Harmony Korine’s relentless audiovisual seduction: the sunsets, the colors, the slow-motion, the breasts, the throbbing but sublimated yearning of the electro score, the intellectual montage that layers Britney over thuggery, and gorgeous beaches over willful stupidity, the heartfelt spirituality of Selena Gomez’s voiceovers. with the mantra-like repetitions of her monologues and other fragments of dialogue… All this as an almost didactic demonstration of the way that, in our neoliberal culture, there is no distinction whatsoever between hedonism and self-help, or between transgression and hypernormativity.
Month: June 2013
The latest issue of the e-flux online journal is entirely devoted to the question of accelerationism.
A lot has been said about this already, most notably:
- Ben Noys’ original introduction of the term
- My own previous discussion of accelerationism (excerpted from my book Post-Cinematic Affect)
- The recent Manifesto by Alex Williams and Nick Srnicek
- McKenzie Wark’s response to the Manifesto.
But the new issue of e-flux contains 11 articles on accelerationism, including an extremely sour-minded article of mine. But there are also articles by friends and people I admire, including Mark Fisher, Patricia McCormack, Franco “Bifo” Berardi, Alex Williams, and others.
Trigg, Levinas, Harman
I find that my position on speculative realism is close to that of Dylan Trigg, in his article in Speculations 4. Trigg seeks to expand phenomenology beyond the human — to devise an unhuman phenomenology, through recourse to early Levinas (Existence and Existents, and Time and the Other). There is something in experience that is not “mine,” and that extends beyond the limits of the body/world correlation in Merleau-Ponty’s Phenomenology of Perception.
Trigg also suggests, rightly to my mind, a different take on Levinas’s “there is” (il y a) than the one offered by that other admirer of Levinas, Graham Harman. For Harman, in Levinas’ il y a “there is a single formless element from which the things of our lives emerge” — this is an “undermining” of objects to which Harman objects. Harman’s reading is not wrong, but for Trigg it only gives part of the story. In Trigg’s analysis of the il y a, “Levinas is assigning a reality to existence that is not dependent on there being a world in the first place. Rather, existence precedes the birth of the world, marking a constant presence that is at once immersed in the world of things but at the same resistant to being identified with those things.” This means that, “far from the mere disappearance of things, the Levinasian il y a retains a presence, which cannot be tied down to appearances despite having an indirect relation to those appearances.” In other words, any entity (not just a human being) can experience the il y a, and the il y a is precisely an experience of what Harman calls “withdrawal” — the withdrawal, not just of things from me, but even (or especially) of what I myself am from me. This is where my own experience of the world becomes, as Trigg says, “unhuman.” While I suspect that Harman will not accept this as a defense against the charge of undermining, I actually find that Trigg’s reading of Levinas makes it easier for me to accept, or come to terms with, what Harman means by withdrawal.
Trigg’s reading resonates with my own Blanchotian sense of Levinas (which I came to via Joseph Libertson’s Proximity). It it not the “undermining” of the object that is at stake here, but rather what I can only call a défaillance of the subject (I cannot think of a good enough English equivalent for the French word). The supposed “subject” doesn’t disappear into nothingness; there is no negativity at work here. And yet this subject finds itself unable to relate intentionally to the world or to objects in the world. This deficit of intentionality dissolves what Harman calls the “sensual” realm, without for all that allowing any access to “real” objects.
My difference from Trigg (and also from other SR thinkers interested in the horror of Lovecraft and Ligotti) is this. Where they see immersion in the il y a as a form of deprivation, a wound to the narcissistic ego — which is probably the only way a constituted human subject can feel about it (I myself find few things more dreadful than insomnia), I think that the same process can also be understood as what Whitehead would call a “constructive functioning” (Process and Reality 156). Rather than descend from full human intentional consciousness into the il y a, we should start from the “vagueness” (again, Whitehead’s term) that lies behind conscious perception, that is much broader than that perception, and out of which consciousness only fitfully emerges, if at all. From this point of view, we have a story of emergence instead of one of dissolution into horror. The vague sentience of the slime mold (my favorite biological organism) is not in the least horrific for the slime mold; it is a kind of thought, and also a kind of contact with the world that is devoid of phenomenological intentionality; in other words, a form of “contact” that is not a “relation” in the sense Harman criticizes, but rather the experience of what Trigg rightly describes as Levinas’ “non-relational account of existence.”
For me, this means the point is not to develop (as Trigg wishes) an “unhuman phenomenology’; nor what Ian Bogost calls an “alien phenomenology” or what Thomas Nagel calls an “objective phenomenology”; but rather what I would like to call (imitating Laruelle, perhaps?) a non-phenomenology.
I haven’t had the time recently to post anything on this blog. Which is unfortunate, as I miss writing here.
But in the meantime, here are a few updates on recent publications and events.
A short article of mine, originally posted on this blog, has appeared in French translation in the journal Multitudes, issue 51, under the title “Comment traduire une forme de vie ?”. I haven’t managed to find a copy of this yet, but the information on the journal issue is here.
Wesleyan University Press has brought back into print a brilliant short novel by Samuel R. Delany, Phallos. The new, enhanced edition of the novel also includes several scholarly essays discussing it, including mine.
The absolutely indispensible Aqueduct Press has just published Strange Matings, edited by Rebecca J. Holden and Nisi Shawl, a collection of essays on the fiction of the late and much lamented Octavia Butler. An essay of mine is included, together with others much better than mine. Book information is here.
And finally, audio is available for the two lectures I recently gave in Dublin at the invitation of DUST (Dublin Unit for Speculative Thought). “Speculative Criteria (a conversation with Paul Ennis)” is available at https://archive.org/details/ShaviroSpecCriteria230513. And “Discognition” is available at http://archive.org/details/DiscognitionALectureByStevenShaviro , and also as a podcast from the University College Dublin Humanities Institute, and via iTunes (free).