George Molnar, Powers

I just finished reading George Molnar’s extraordinary book Powers. Reading an analytic philosophy book like this one reminds me, once again, that I am not a philosopher, even though I frequently write about philosophical texts. Good analytic philosophy tries to provide basic logical grounds or arguments for all of its assertions — something that I am incapable of doing. And it almost totally ignores what is interesting about classical philosophical texts: which is the implications of the metaphysical assertions. The point is that I am sure that any good analytic philosopher could point to the logical errors or ungrounded assertions in great speculative metaphysicians such as Plato, Aristotle, Descartes, Leibniz, Kant, and William James. But such errors do not negate what is genuinely challenging and thought-provoking about these thinkers. (I am crudely echoing, here, some of the remarks that Graham Harman has made many times on his blog. But then, Harman really is a philosopher, albeit of the continental rather than analytic kind — which means that he is doing the kind of thing the aforementioned great speculative philosophers do, rather than what the analytics do. I, in contrast, am doing something that is closer to speculative fiction than to speculative metaphysics. I respind to philosophy texts in the same way that I do to science fiction novels). 

Nonetheless, although his book is mostly concerned with the usually analytic statement of the particular arguments needed to establish his assertions, Molnar’s metaphysical assertions are themselves fascinating and suggestive, and contribute a lot to current debates in “speculative realism.” (Indeed, I came upon Molnar in the first place because he was mentioned in the context of SR by Ben Woodard). (Molnar is also footnoted in the introduction of The Speculative Turn, in connection with Iain Hamilton Grant’s attempt to produce a “powers” metaphysics; but Grant himself doesn’t seem to mention Molnar, either in his essays in that volume or in his own book Philosophies of Nature After Schelling).

Molnar’s basic argument is that things (or OOO’s objects) possess causal powers that are ontologically real, and not just confined to the instances in which they are manifested. Salt contains the power of being soluble (dissolveable) in water; this power is a veritable property of the salt, even if it never encounters water and never actually gets dissolved. In insisting that powers are actual independently of their manifestation (even if they can only be described in terms of their manifestation), Molnar rejects the skeptical (empiricist, and especially Humean) hypothesis that talk of powers has no meaning apart from the conditional statement that, e.g., if the salt is put into water, then it will dissolve. The classic Early Modern reproach to medieval philosophy was to ridicule the latter for allegedly saying, for instance, that opium puts people to sleep because it has a dormative power — and to claim that this sort of explanation is utterly meaningless. Molnar is arguing, in effect, that opium really does have something like a “dormative power.” This is not to deny that such a power can be analyzed, e.g., in terms of particular neurochemical events that take place in the brain of somebody who has smoked opium. But such an analysis of the “dormative power” does not get away from the attribution of powers, since it simply replaces the power of opium per se with a more detailed account of the powers possessed by particular molecules in the composition of opium. 

In this way, Molnar asserts a realist ontology, one that is directed against the skeptical empiricism of the whole tradition derived from Hume (and one still adhered to by a large number of analytic philosophers today). The parallels with speculative realism go further; Molnar insists, as much as Graham Harman does, that a thing, or an object, is not just a bundle of properties or characteristics, but exists in its own right apart from and in addition to these. (Although Molnar, unlike Harman, endorses the basic scientistic move of reducing objects to their ultimate subatomic constituents, he doesn’t make the claim that this somehow renders objects of the sort that we can see and touch illusory). 

In this way, Molnar offers something like the actualism, and the “flat ontology,” insisted upon by Delanda, by Latour, and by OOO (in contrast to the eliminativist impulses, both of many analytical philosophers, and of Ray Brassier or other more scientistically-inclined speculative realists). But there’s a difference. Molnar writes: “While ontologically there is nothing over and above individuals and their properties (actions), causally there is.” (George Molnar). The insistence on actual causality, and on actual relations (causality being one form of relation), makes for a significant difference between Molnar and Harman. Contra Harman, Molnar rejects any sort of “occasionalism”; he insists that causality is direct — and not merely “vicarious.” Like Harman and against Deleuze, Molnar claims that powers, even when they are not being exercised, are entirely actual qualities of things — they cannot be regarded as “virtual” or “potential.” They fully exist even when they are not manifested in particular events, as a result of particular relational encounters. But against Harman, Molnar insists that relations are as primary an ontological category as things or objects are. 

To put this another way: Harman, in his critique of Latour, opposes the Deleuzian notion of the virtual (together with related notions of the potential) to what he sees as Latour’s “Megarian” actualism. Although he applauds this actualism, he rejects what he claims is Latour’s relationalism, or denial that his discrete entities have any nonrelational substance. But Molnar adds another option to this picture. For Molnar, things do have a substantial reality that is outside of, and anterior to, relations — but this substantial actuality is largely composed of “powers,” or of causal abilities to do things (and thereby to interact relationally with other substances). There is nothing besides individuals and their properties; but since many of these properties of individual things are powers, they make direct causality possible, i.e. when they do contingently encounter other things or substances, they produce real effects.

Molnar asserts that “laws of nature” are supervenient upon the powers of actually-existing things. Against post-Humean skepticism, “laws of nature” are objective features of the world, not mental impositions. This thesis is therefore, once again, realist and anti-correlationist; it affirms that reality is mind-independent and human-independent.  But, in opposing Hume, Molnar also implicitly opposes Quentin Meillassoux’s return to, and alleged solution of, “Hume’s problem.” Something like Leibniz’s law of sufficient reason, or Whitehead’s ontological principle, is preserved against Meillassoux’s all-too-Humean insistence that anything can happen with no reason whatsoever. This is because, for Molnar, it is not that things obey pre-existing laws of nature (which is the thesis that Meillassoux rejects), but rather that “laws of nature” are themselves the consequence of the actual powers actually possessed by individual entities. We might say therefore, that Molnar’s powers are like Spinozian/Deleuzian abilities to affect, and to be affected by, other things. (The Spinozian part of Deleuze, unlike the Bergsonian part, does not involve virtuality). 

In addition to all this, Molnar claims that powers need not be grounded, and indeed that the ultimate powers of things are ungrounded. He argues this on an empirical, rather than a priori basis: the subatomic particles of which, according to contemporary physics, the universe is composed, do not seem to possess any grounding. An electron or a photon is nothing over and above its powers. If the powers of “composite” or everyday objects are themselves grounded (e.g. in physical, non-dispositional properties of these objects), the grounding does not continue downwards infinitely, but ultimately meets the ungroundedness of the powers of elementary particles.

Now, this might well be the place where OOO thinkers would argue that Molnar reveals himself to be a scientistic reductionist after all, but I think that such a criticism would not be entirely fair. This can best be understood, perhaps, by looking at the role that ungrounded powers play in Iain Hamilton Grant’s metaphysics (see Grant’s response to Harman in The Speculative Turn; this is also the place where Ben Woodard, as cited above, associates Molnar with Schelling and Grant). The crucial point we can take from Molnar is that powers need not be grounded in order to be real; and this makes for a crucial step in Grant’s argument, against Harman, that one can trace the anteriority of forces that generate objects, without thereby “undermining” objects and reducing everything to some sort of undifferentiated blob. From another direction, Molnar’s sense of ungrounded powers might also be used to defend Latour’s ontology against Harman’s criticisms. When objects are understood as possessing intrinsic powers, they can be separate and actual without being “withdrawn” in Harman’s sense. Objects possess real forces, which they exert against other, equally real forces being deployed by other objects. Without going so far as to make the difficult claim that Latour and Grant can be reconciled with one another, I think that they both can be defended against Harman’s various criticisms of them on the basis of an appeal to something like Molnar’s insistence upon the actuality, and not-needing-to-be-groundedness, of causal powers.

There’s also another, weirder direction in which one could take all this. For Molnar, subatomic entities like electrons and photons have intrinsic powers, but they don’t have any intrinsic qualities other than their powers. Indeed, this is precisely what he means when he asserts that their powers are ungrounded. If the powers of salt and opium and human beings and (to use Harman’s examples) tar and hailstones are grounded, this is because such entities have intrinsic qualities that are not powers, in addition to their intrinsic powers. I think, however, we can reduce the difference between subatomic entities and the sorts of entites that we can apprehend directly by adopting some form of panpsychism (as I have argued before — of course, Molnar would have hated this). That is to say, I want to argue for a thesis that Molnar explicitly rejects, but which is not incompatible with his main points. The thesis is what Molnar calls “dual-sided theory”: “all properties [of objects] have something about them that is irreducibly and ineliminably dispositional [i.e. is a power], and something (else) about them that is irreducibly and ineliminably non-dispositional or ‘qualitative’… A power is only a face/facet/side of a property that also has a qualitative face/facet/side.” Molnar rejects this thesis primarily because he doesn’t think that subatomic particles (or “field-densities”) have a qualitative side: they are only dispositional (they only have powers without any “grounding” or innerness). But a major argument of 20th century panpsychists, from Russell on to Strawson, is precisely that all entities must have an inner as well as an outer side, even if physics only gives us the latter. For panpsychism, there is a qualitative or experiential dimension to everything, including electrons and photons; just as there is a “dispositional” dimension, or the intrinsic possession of powers, to everything. Such a dual-aspect theory would grant interiority to subatomic particles, while also suggesting that the interiority of mesocosmic and macrocosmic entities need not be thought of as the “ground” of these entities’ powers, but as coextensive with them. Such an account both rescues Molnar’s overall argument from the vestiges of “smallism,” while at the same time preserving the intrinsicality and independence of objects without asserting that they are “withdrawn,” and without asserting that their causal relations are merely “occasional” or “vicarious.” For me, this is a way of taking Harman’s questions seriously, while at the same time giving more credence to the assertions of Latour (on the one hand) and Grant (on the other hand) than he is willing to; and of taking Meillassoux’s critique of correlationism seriously, without accepting his claims that mathematics = the absolute, and that things can and do happen for no reason. The occasionalism of both Harman and Meillassoux is rejected in favor of a Whiteheadian duality of determination and decision.

 

 

The Universe of Things

Gwyneth Jones’ short story collection, The Universe of Things, has just been published by Aqueduct Press, and is available for purchase here (at a reduced price until Jan 25). (Amazon lists the volume here).

I’m proud that I was asked to write the Introduction to the volume. Jones is one of the greatest and most important science fiction authors writing today, and she still hasn’t gotten quite the level of recognition that she deserves. 

The volume is named after one of the stories therein. The phrase “the universe of things” comes originally from Shelley’s poem “Mont Blanc.” In addition to writing the Introduction to Jones’ volume, I have also myself written an essay called “The Universe of Things”; the essay cites both Jones’ story and Shelley’s poem in the course of arguing for a Whiteheadian understanding, or revision, of the claims of object-oriented ontology. I now seem to have written several essays more or less on this theme; I am working, hopefully, towards a short book that will address the question of “Whitehead in the light of speculative realism”; and that book, if I manage to finish it, will probably also bear the title, The Universe of Things, thus continuing the semantic chain.

Black Swan

I really loved Darren Aronofsky’s Black Swan. It joins Splice, Toy Story 3, Scott Pilgrim, and Enter the Void as one of my favorite films of 2010. (I missed too many things this year to offer anything like a top-ten list; I still haven’t seen Inception, or True Grit, or The Social Network, for instance — just to mention some of the general-release films that other people have been talking about).

In any case, Black Swan was one of those movies that just touched and jolted me in all the right ways — I became totally entranced by it. I really need to see it again, however, before I can comment on its cinematography — which struck me as key to its effectiveness, in the way that it both drew us into, and yet distanced us from, the intimate world of its protagonist. I think that some variety of cinematic free indirect discourse was at work here (I am thinking of Pasolini’s adaptation of this literary term to describe Antonioni’s cinematography, and then Deleuze’s generalization of the term, to get at a mode of presentation that is neither subjectively expressive, nor omniscently objective, but somehow in between). There’s a crucial relation between the autonomy of the hyperactive camera (and also the horror-film-esque shock cuts, and the use of subliminal sound) and the way the tortured flesh of Natalie Portman is at the center of the film — but I will need to watch the movie again before I can hope to pin this down. In the meantime, I will try to say something more general about how, and why, the film affected me so strongly.

Black Swan could be described as either a female equivalent to Aronofsky’s previous film, The Wrestler; or else as a sort-of remake of All About Eve. Natalie Portman’s character, like Mickey Rourke’s character in The Wrestler, has made a mess of her life. But she sacrificially redeems herself through ballet, the only thing that she is good at, just as Rourke does through wrestling. In both films, brilliance in the blatant artifice of intensely embodied performance compensates for what is otherwise an inauthentic self; perfection of the work substitutes for the impossibility of perfection of the life. Both Black Swan and The Wrestler thus preach and practice what I can only call a delirious kitsch aestheticism. In saying this, I do not use the word “kitsch” pejoratively. Rather, I insist that the aestheticism must be kitsch, in order to avoid falling into the void of a high-minded and self-congratulatory elitism. 

Black Swan resembles All About Eve in being a bitchy and overheated backstage melodrama. Just as Ann Baxter manipulates her way into supplanting Bette Davis as a lead actress (and, in the final scene of the movie, is set up to be supplanted in her own turn), so Natalie Portman displaces Winona Ryder as prima ballerina (leading to Winona’s attempted suicide), and is threatened in turn with displacement by her rival (and supposed good friend) Mila Kunis. The cold cynicism displayed in All About Eve by George Sanders is mirrored in Black Swan, at least somewhat, by Vincent Cassel as the manipulative ballet director. These echoes probably have something to do with why the film has been described by some critics as being camp (or criticized, as here by Dennis Lim, for not even being successful as camp). 

However, I think that the whole camp reading of the film is wrong. In fact, Black Swan is emotionally and wrenchingly intense, in a completely unironic way. Of course, this intensity is not “high art”; it is entirely lurid and hysterical, in a way that has its roots in pulp writing, and B- or exploitation-filmmaking. And this may be why some critics have trouble in receiving it unironically; there’s the unfortunate and wrong sense that some cultural elitists have that nothing can be taken seriously unless it is, well, “serious.” I’m putting that latter word into quotation marks, precisely because it connotes an attitude that cannot take anything with pulp energies, or with the kind of dogged and even corny conviction that Black Swan manifests, except “in quotation marks.” I am suggesting, to the contrary, that Black Swan works as powerfully and beautifully as it does, not in spite of, but precisely because of, its emotional excess, and its glossy reveling in that excess.

To put this in another way: Black Swan fully fits within the categories of what the film theorist Linda Williams calls “body genres.” These are films that are aesthetically disreputable, precisely because they overtly work to incite physical responses in the viewers. Williams lists three main body genres: pornography, horror, and melodrama, which move audiences to sexual arousal, chills of fear, and bouts of weeping respectively; and Black Swan is actually all three of these. The film moves from an initial creepiness to a culminating full-blown body horror; but along the way it titillates us with the phantasmatic, faux-lesbian scene of Natalie Portman’s full-blown orgasm. This softcore scene marks both a breakthrough (an overcoming of sexual repression) and also a breakdown (as Portman’s character finally learns that she can only fulfill her quest for aesthetic perfection at the price of her own existential self-destruction), and thus provides the bridge between horror (the revulsion of bodily metamorphosis, linked with the white swan – black swan duality of the Swan Lake ballet) and melodrama (the tears of unfulfillment, tied to a utopian negation of life as it is, in which every success is also a failure). 

The first half of Black Swan powerfully expressed a sort of creepy nervousness, discomfort, emotional awkwardness, vulnerability, and embarrassment. These are all evident in Natalie Portman’s relationship both to her mother and to the ballet director, as well as in her general malaise (or sense of being ill at ease) whenever she is not dancing — when she is riding the subway to and from Lincoln Center, for instance). This is the sort of mood that I find myself exquisitely attuned to in the cinema, when it is done well. It’s almost unbearably painful, but in an oddly detached and mediated way; the pain becomes pleasure when it is right there in front of you, objectified and articulated on the screen. 

But Black Swan doesn’t stay there. In the second half of the film, everything accelerates into full-blown body horror. Things spiral completely out of control. Natalie Portman moves from a minor obsession with eczema-like wound marks on her body, to a full-fledged crisis in which she seems to be growing feathers, the better to suit her for her “black swan” role. She imagines both having sex with, and then murdering, Mila Kunis, who is trying to steal her role. The film remains ostensibly “realist” enough to suggest that this is sheer hallucination on the part of Portman’s character — e.g., Kunis shows up again unharmed and unaffected, after Portman has apparently beaten her to a bloody pulp. But to the extent that “seeing is believing,” and that — in the suspension of disbelief with which we watch movies — we cannot help accepting what is plainly and viscerally shown to us on screen, the sex and the murder and the body horror are as real to us as anything else in the film. They are continuous with, and as compellingly actual as, the feelings that provoke them: self-disgust, the drive towards an impossible perfectionism, sexual jealousy vis-a-vis Kunis and resentment and feeling-betrayed vis-a-vis the mother. By the end of the film, it is impossible to say — and meaningless even to try to decide — whether Portman’s culminating wound (menstruation? vaginal mutilation?) is real or phantasmatic. We are swept away — or, at least, I was — in the vertigo of a hallucinatory, emotion-twisting, body horror/ecstasy. (And by “hallucinatory,” I mean something like “intensified”, rather than something like “unreal”).

The emotional tonality of Black Swan combines horror with melodrama: more specifically, horror’s body panic and hysteria with melodrama’s embarrassment and overstatement and weepiness. I think that Aronofsky really knows what he is doing here. He is using horror in order to update the old Hollywood melodrama, to make it more believable for the 21st century. He is making new equivalents for the parts of melodrama that might otherwise now seem antiquated, and therefore (to some viewers) campy. In this way, he is very smartly keeping the emotional center of melodrama intact. In this way, Black Swan is a contemporary version of what used to be called the “women’s picture” in the old Hollywood. Such films were frankly oriented towards middle-class female audiences; they also often became points of identification for gay men (which, of course, is partly where the association with camp comes from).

Now, the “women’s picture” is one genre that has never gotten the degree of recognition that it deserves. Some feminist film theorists took it seriously in the 1980s and 1990s, and wrote insightful things about it; among contemporary filmmakers, Todd Haynes has shown considerable interest in it. But overall, the women’s picture has remained disreputable; it is still generally condescended to by “serious,” high-minded critics who insist on regarding it as “trash” — even when they find it to be enjoyable trash. I always think of this in terms of what I like to call the Tarantino Test. Quentin Tarantino loves to make revisionist updates of “disreputable” male-oriented genre films, by making strong female protagonists the heroes — he does this in with blaxploitation in Jackie Brown,  with martial arts films in Kill Bill, with the car-racing genre of the 1970s in Death Proof, and with the war movie in Inglorious Basterds. But I cannot quite see Tarantino ever remaking, or offering a revisionist version of, a “disreputable” female-oriented genre film (though I am still, and always, waiting for him to surprise me). Aronofsky is to be praised for fearlessly entering this territory, and for pushing it all the way, without defensive irony. 

Postscript: it’s worth noting that another one of my favorite films of the past year, Gaspar Noe’s Enter the Void, has gotten some of the same negative or reserved reactions from critics and bloggers as Black Swan, and for similar reasons. In some ways, these two films could not be more different; Enter the Void is as male-centric as Black Swan is female-centric. But they have both been regarded as somewhat chintzy, cheesy, and corny: as being too “obvious” to be accepted as Great Art. Critics of Enter the Void, in particular, have accused its mindblowing visual and sonic textures of just being coverings for an ultimate banality; they have see the film as just an empty display of technique (or of digital technologies). I think that such reactions, like the critical reactions dismissing Black Swan as glamorous trash, betray a continuing discomfort with movies in which psychophysical stimulation and affective intensity overwhelm plot and theme. To my mind, in both films, the psychophysical intensity is the point; and thematic concerns are deliberately flattened and simplified, so they do not interfere with this. (Noe is following the example of 2001, which is evidently his main cinematic reference point; Aronofsky, I think, is simply following his salutary pulp instincts). In the end, of course, it comes down to how particular, individual films affect me; but the power of both of these films reinforces my sense that a certain cinematic maximalism is a better way to go than the reserve of slow or contemplative cinema.

The Speculative Turn

The Speculative Turn, edited by Levi Bryant, Nick Srnicek, and Graham Harman, has now been published. This volume gives the fullest account to date of (so-called) “speculative realism” in all its varieties. There are articles by the four initial speculative realists (Graham Harman, Iain Hamilton Grant, Quentin Meillassoux, and Ray Brassier), together with work by other thinkers who have influenced them (Laruelle, Latour, Stengers, Delanda, etc) essays by later contributors to speculative realist trends (Bryant, Srnicek, Reza Negarestani), brief interviews with Badiou and Zizek, and more. The volume contains my own article/critique of Harman, “The Actual Volcano: Whitehead, Harman, and the Problem of Relations,” together with Harman’s response.

The Speculative Turn can be purchased in hardcopy, or downloaded as a free pdf, here. It doesn’t seem to have made it to Amazon.com yet, but I am told it will be there shortly.

Fruit Flies and Slime Molds

Two recent scientific articles help to illuminate the notion of decision, which for Whitehead is constitutive of all actual entities.

In the first place, Bjorn Brembs, who was one of the co-authors of a 2007 paper that suggested that fruit flies are able to generate spontaneous behavior that is not determined in advance either by genetic pre-programming or by environmental cues, has released a new paper in which he generalizes his argument. Brembs cites research by himself and others that points to the “common ability of most if not all brains is to choose among different behavioural options even in the absence of differences in the environment and perform genuinely novel acts.” That is to say, fruit files and other animals possess a sort of “free will.” Brembs dismisses, of course, what he calls “the metaphysical concept of free will,” i.e. the traditional Cartesian notion that is “inextricably linked with one variant or another of dualism.” But he also rejects strict determinism, both on account of quantum indeterminacy, and — more directly in biological terms — on the basis of the idea that, for animals, complete predictability of behavior is not viable. Any organism that reacted to stimuli in a completely predictable manner could all too easily be wiped out by predators who were able to anticipate these responses. Therefore, “predictability can never be an evolutionarily stable strategy. Instead, animals need to balance the effectiveness and efficiency of their behaviours with just enough variability to spare them from being predictable… Competitive success and evolutionary fitness of all ambulatory organisms depend critically on intact behavioural variability as an adaptive function. Behavioural variability is an adaptive trait and not ‘noise’.” All this suggests that motile animals, at the very least, have evolved mechanisms to generate behavioraly variability — action that is not pre-determined, and hence not predictable. Moreover, organisms are able to control the extent of this variability. In many circumstances, routine, habit, and “instinct” are the best strategies; but “faced with novel situations, humans and most animals spontaneously increase their behavioural variability.”

Brembs cites many examples of “self-initiated actions” (behaviors that are spontaneously and endogenously generated) in all sorts of animal organisms, and not just among vertebrates. He suggests that neural mechanisms have evolved which exhibit and exploit an “unstable nonlinearity.” These brain mechanisms are “exquisitely sensitive to small perturbations,” and they are irreducible to any binary alternative between “complete (or quantum) randomness and pure, Laplacian determinism.” This provides the basis for what Brembs calls a scientific concept of free will: one that is not an absolute, dualistic concept, but an immanent and relative one: “The question is not any more ‘do we have free will?’; the question is now: ‘how much free will do we have?’; ‘how much does this or that animal have?’. Free will becomes a quantitative trait.”

Brembs rightly draws philosophical conclusions from his argument, even though he disclaims being a philosopher. “Analogous to mutation and selection in evolution, the biological process underlying free will can be conceptualized as a creative, spontaneous, indeterministic process followed by an adequately determined process, selecting from the options generated by the first process. Freedom arises from the creative and indeterministic generation of alternative possibilities, which present themselves to the will for evaluation and selection. The will is adequately determined by our reasons, desires and motives—by our character—but it is not pre-determined.” From this point of view, free will requires something like a “self,” which is able to determine its own action; we may infer such self-willed action whenever “no sufficient causes for this activity to occur are coming from outside the organism.”

Free will does not, however, necessitate consciousness in the human sense. Fruit flies make decisions — they determine and generate their own behavior, to the limits that external constraints allow them to — without necessarily being “conscious” of making these decisions. Even among human beings, this is most likely the case. Brembs cites, in passing, Benjamin Libet’s experiments, which suggested, by means of testing neural responses, that human beings make decisions prior to being conscious of their decisions. Libet’s results have often been cited as disproving the existence of “free will”; but Brembs rightly says that, although these results discredit the “metaphysical” (dualist) notion of free will, they “are not relevant for the concept proposed here.” For what Libet showed was not that I do not make spontaneous or uncaused decisions, but rather that my “mind” makes these decisions, or my brain generates them, prior to my becoming consciously aware of them. Brembs’ empirically grounded notion of free will is entirely consonant with the argument — one metaphysically beyond the scope of Brembs’ paper, but which I would want to make on Whiteheadian grounds — that things like consciousness and responsibility are not the grounds or preconditions for decision or the exercise of free will, but rather the consequences (in some, but not necessarily all, cases) of making decisions and (thereby) exercising free will.

Brembs suggests that free will is an evolutionary adaptation of the nervous system; it would thereby be restricted to animal organisms. But what about biological entities that don’t have nervous systems (including plants, fungi, protists, and bacteria)? All these organisms have been shown to engage in various sorts of cognitive activities. “Plant cognition and behavior” has come to be a recognized biological subfield; bacterial “quorum sensing” is widely recognized and experimented upon; and slime molds (in particular, the model organism Physarum polycephalum) have been shown to exhibit “smart behavior” in solving a maze, and to solve “combinatorial optimization problems.” But most of this research has focused on cognition and problem-solving, not on the issue of free will that Brembs raises in connection with fruit flies and other invertebrates.

Slime molds are particularly interesting organisms, because they are neither unicellular nor multicellular, but something in between. They exist for most of their lives as blobs of protoplasm with many nuclei. Meiosis occurs at the end of the life cycle, when the slime mold develops “fruiting bodies” composed of haploid spores. These spores are widely dispersed, and begin their lives as haploid, single-celled organisms. Two of these unicellular organisms mate, forming a larger cell with a diploid nucleus. But from that point on, mitosis, or the separation and replication of nuclear DNA, is not accompanied by cell division. Rather the entire blob grows in size as it comes to contain multiple nuclei. The blob moves around, sending out filaments of protoplasm in various directions as it searches for food. It is in the course of this process, which seems not to be centrally coordinated, but to involve internal communication among different parts of the organism, that slime molds have succeeded in threading mazes and solving combinatorial problems. [I am referring here to myxomycetes, or “true” slime molds; as opposed to the also interesting, but vastly different, cellular slime molds].

[One might also note that Gilbert Simondon ponders at great length on the question of whether animals that live in colonies, like coral, are truely individuated or not. Is each organism an individual? Or is it only the colony that is an individual? Obviously, the same question could apply to the notion of ant or bee colonies as superorganisms. But the case of slime molds is even stranger; as far as I can recall, Simondon never mentions them (please, somebody, correct me if I am wrong). Slime molds are more than individual cells, but less than differentiated multicellular organisms. Not only don’t they divide into separate cells, but they don’t differentiate into separate tissues or organs, except when they form fruiting bodies at the point of sporulation. And, as mentioned above, this differentiation takes place, and the spores become separate entities, only via meiosis. This question is related to the fact, discussed below, that slime molds do not make decisions as unified “individuals,” but only as loose, decentralized collectivities — although, again, the members of this “collective” are not separate from one another, as they are in the cases of corals and of ants.]

This brings me to the second recent article I mentioned above. It concerns “irrational decision-making” processes in slime molds. This article, by Tanja Latty and Madeleine Beekman, is of much narrower scope than Brembs’ essay; and its explicit focus is entirely cognitive. Nevertheless, I think it is relevant to the questions that, following Brembs, I am raising. Latty and Beekman created situaitons in which slime molds were allowed to choose between different food sources, which varied both as to how nutritious they were, and as to how illuminated they were. Slime molds prefer richer food sources to poorer ones, but they also prefer darkness to light (since they are easily harmed by exposure to bright light and ultraviolet radiation). What “preferences” would the slime molds establish, when confronted by the alternative between a rich, but brightly-lit food source, and a poorer, but dimly-lit and therefore much safer one?

With multiple trials, and the insertion of additional alternatives, the scientists determined that slime molds, like human beings and other animals, do not operate in accordance with the dictates of what has been called (in the human social sciences) “rational choice” theory. That is to say, they do not make “economically rational” choices “based on the absolute value of items” they are choosing among, but rather “use comparative valuation rules.” There are many problems with rational choice theory, and even with the amended version, “behavioral economics,” which acknowledges that people (and other organisms that make decisions) often make use of “comparative valuation rules” and other, not-strictly-rational, cognitive shortcuts. I will not go into these problems here (that would require an entire separate essay, or several); suffice it to note that these approaches have an impoverished notion of “decision,” since they regard it not as spontaneously-generated activity, but merely as an ordered selection among items on a pre-determined menu or list.

Letty and Beekman don’t address Brembs’ question of free will, because they remain within an entirely cognitivist and behavioural-economic context. But two aspects of their experiments are nonetheless relevant here. In the first place, they suggest that the presence, among slime molds, of the same limited rationality and behavioral strategies that one finds among animals with nervous systems suggest that such strategies of choice are not just  “a consequence of the way brains process information,” but rather indicate “an intrinsic feature of biological decision-making,” even when brains and neurons are not involved. Although they (wrongly, in my opinion) regard decision in exclusively cognitive terms, as a form of information processing, they do not see this “processing” as an exclusively animal-based, or neurally-based activity, but give it a much wider provenance. We know that it is taking place in slime molds and other brainless organisms, even though we do not yet understand how this happens. This suggests that the biological basis of free will is not necessarily tied to neurons and nervous systems in the way that Brembs suggests; it is a broader, or more basic, evolved feature of organisms.

The researchers state that “acellular slime moulds, like insect colonies, are collective decision makers, where the behaviour of the collective is a result of the behaviour of its underlying parts. Each slime mould is made up of many tiny pieces of slime mould, each oscillating at a frequency determined partly by the local environment, and partly by interactions with adjacent oscillators such that each oscillator can entrain those close to it.”  Given this situation, and “owing to the slimy nature of acellular slime moulds, it was not possible to test [rationality] in individuals, and instead, we relied upon population-level preferences.” But there is still a weird difficulty here. The authors note that “recent work on rationality in ants,” in which each organism in a colony makes individual decisions, and the colony’s behavior as a whole is the sum of these decisions, “has led to the suggestion that organisms using collective decision-making processes may be immune to irrational decisions.” However, even if thisis the case with ants in a colony, it turns out not to be the case for slime molds. Is this perhaps because a slime mold is neither a unity, nor a collection of entirely separate individual units, but something strangely in between?

Another problem with rational choice theory and behavioral economic theory is that they assume separate individual “preferences” which are only summed secondarily and extrinsically. But in actuality,this is never the case. Every individual’s decisions are influenced by (even if not reducible to) the decisions of others, plus all sorts of supplemental contextual factors. As Whitehead says, in every process of decision “whatever is determinable is determined” by the situation in which the individual finds itself, the “stubborn fact” that it cannot evade; although at the same time “there is always a remainder for the decision” to be made by the actual entity itself (PR 27-28). This mixture of self-determination and dependence is a matter of degree, just like the balance between externally determined and internally self-generated action that Brembs describes. Slime molds represent an extreme ontological case, in which the contrast between internal and external definition, as well as between individual and collective determination, is pushed to its most intensely ambiguous point. This is why slime molds seem to slip in between the logic of separate individual decisions, and that of collective, but extrnisically-summed, decisions. Reducible to neither, they embody the point at which the logic of preferences-among-a-menu-of-items breaks down. And this is why Latty and Beekman’s focus on limited choice expands into something more like the indeterminacy of free will as defined by Brembs.

The second point I’d like to note from Latty and Beekman’s article is their finding that “even within a treatment group, slime moulds varied in their choices. This is particularly surprising as we controlled for weight, nutritional state and genetic differences.” In other words, even the slime molds’ compliance with “irrational” comparative valuation rules is not absolute. It is a statistical result, rather than something observed in every instance. This again suggests that there is a margin, or remainder, of indeterminacy that allows for unconstrained, spontaneous decision. The authors suggest that “some of the variability we observed arises from slight differences in the experiments’ initial conditions… These small differences in initial condition, combined with feedback via biomass recruitment mechanisms, could ultimately result in the observed variability.” This is undoubtably the case; but I would add that, as sensitivity to initial conditions approaches a point of indiscernibility, we get closer to Brembs’ claim that “determinism versus indeterminism is a false dichotomy,” which he bases in part on observing situations of extreme sensitivity to initial conditions. As Brembs puts it, “stochasticity is not a nuisance, or a side effect of our reality. Evolution has shaped our brains to implement ‘stochasticity’ in a controlled way, injecting variability ‘at will’.” The only amendment to this that we need to cover the case of slime molds is that this evolved ability to inject variability at will is not just a property of brains, but “an intrinsic feature” (as Letty and Beekman put it) of all biological entities.

I’ll end my own discussion here with a speculative epilogue that makes claims I cannot presently defend (although I am hopefully working towards them). It may be noted that research into biological free will and biological decision-making is not entirely unrelated to the questions about panpsychism raised by such analytic philosophers as Thomas Nagel, Galen Strawson, and Sam Coleman, and which I have discussed previously in this blog. For Strawson, the emergence of mentality from non-mentality is a serious problem, even though the emergence of life from non-life is not. He argues, therefore, that an incipient mentality must already exist on the level of subatomic particles. I suggest that it helps to make sense of this claim if we understand mentality in terms of “decision,” rather than in terms of consciousness or “qualia.” The evolution of biological decision making, and biological free will, might well depend upon, and make use of, an implicit potential of all matter. If decision were not already possible, then living things that actually do make decisions could not have come into existence. Rather than decision being a power of life, then, life would be a consequence of the potentiality of decision.

Near Future — Reading List

Just a short reading list of plausible looks into the near future, selected from among books I have read recently:

  • Lauren Beukes, Moxyland
  • Charles Stross, Halting State
  • Richard K. Morgan, Market Forces
  • Ken MacLeod, The Execution Channel
  • Matthew De Abaitua, The Red Men
  • M. T. Anderson, Feed
  • Tricia Sullivan, Lightborn
  • Scott Bakker, Neuropath
  • Paolo Bacigalupi, The Wind-Up Girl
  • Jack Womack, Random Acts of Senseless Violence
  • Bruce Sterling, The Caryatids
  • Mark Wernham, Martin Martin’s On the Other Side
  • Walter Jon Williams, This is Not a Game
  • Cory Doctorow, Makers

 

More Debates

I really worry that one tendency of the blogosphere is towards endless reiterations of the same arguments — because the temptation to instant reply and counter-reply is just too great. This is why I am generally not inclined — even aside from how ridiculously busy I have been recently — to jump into the current discussions/debates between OOO (Graham, Levi) and relationalism (Adrian, Chris — and also me, to the extent that I do jump in). 

I feel energized when I read postings that develop new concepts:  as Levi does when he thinks about techno-assemblages as Mortonian hyperobjects, or as Graham does when, as reported by Levi, he goes into greater depth on how to define objects and differentiate them from mere random sets. It doesn’t matter here that I might not agree with Levi’s and Graham’s conceptualizations; its the working out of their conceptualizations in more detail, and with further (previously unseen, at least by me) ramifications that is important to me. 

But I’m less sanguine about the continual round of debates that have also been going on. I can’t help feel tempted to jump in and join in the polemics — but when I do so I just feel irritated with myself afterwards, as if I had eaten too much candy or popcorn. I wrote one long answer to some of Levi’s and Graham’s recent posts, but then I decided not to post it — I just felt like I was muddying the water with no good reason. (Excuse me here for my mixed metaphors). (And I also hope Levi, Graham, Chris, and Adrian aren’t put off, or offended, by my saying this. For any blogger, you gotta write what you gotta write. Which is why I am putting my negative feelings about arguments & counter-arguments that go in a circle in terms of my own writing impulses first of all). 

So I think I’ll just confine myself to this. At our exchange in Claremont the week before last, Graham made one point that I very much took to heart. He disputed the idea, implicit in what I wrote and said, that “actual entities” in Whitehead are small. And he is right. Whitehead says that actual entities are  “the final real things of which the world is made up,” — but this emphatically does not mean that they are somehow the equvialent of quarks or quantum fields or subatomic particles. In fact, they cannot be — since they are not located in spacetime at all, but are somehow involved in its production. They answer to a different question than the one the physicists are asking when they wonder if, for instance, spacetime is quantized at the Planck scale. It may be that events at the Planck scale are “actual entities” in Whitehead’s definition, but so are my own experiences of the “specious present,” and so is Whitehead’s God (as Graham pointed out). 

I don’t think, however, that this in any way vitiates what I was arguing overall at Clarement — which is precisely that the relation of actual entities to what Whitehead calls “societies” (which are all the things or objects in the world around us) is NOT equivalent to the scientific reductionists’ argument that somehow chairs and cats are less “real” than the subatomic fields of which they are ultimately composed. Chairs and cats are as real for Whitehead as they are for OOO. 

This is crucial, precisely for my way of reading Whitehead on relations (in which reading I closely follow Isabelle Stengers — hopefully her great book on Whitehead will come out in English translation in the next year or so). Graham at Claremont, and Levi on his blog, have both quoted Whitehead on “internal relations” in order to argue for conclusions about Whitehead’s relationalism that I don’t agree with — but that, for reasons stated above, I don’t want to get into an argument about here. Basically, I don’t think that Whitehead means by “internal relations” what Graham and Levi mean by “internal relations.” But demonstrating this depends on a larger argument on, precisely, the reason that Whitehead distinguishes between actual entities and societies, with the latter being “the real actual things that endure,” i.e. that have an extent in spacetime — what OOO calls objects and what I prefer to call things.

There’s a beginning to this argument in the talk I gave at Claremont, and which I linked to in my previous post. The important thing, for me, is not the idea that objects are”withdrawn,” which I cannot make cohesive with any of my own metaphysical intuitions, but rather Whitehead’s notion of privacy (or “elbow-room,” in one of the passages I cited at Claremont). For me, following Whitehead, things are never free of relations; but they are underdetermined by these relations, which is what preserves us from the utter suffocation of being, and allows room for what Meillassoux calls “the great outdoors.” But I still haven’t worked all this through to my own satisfaction. And my sense is that, putting the argument in the negative terms that a reply or riposte to Graham and Levi would require would not be helpful to this working-through; if anything, it would be a hindrance to my working it through in the positive terms that I’d like. I promise that, when I am more satisfied with my own formulations, I will post them here. 

Metaphysics and Things

Last week’s “Metaphysics and Things” conference, sponsored by the Whitehead Research Project, was one of the most intellectually intense conferences that I have ever been to. The keynote address was delivered by Isabelle Stengers, with a response by Donna Haraway. This was followed by a day and a half of presentations by several of my fellow Whiteheadians (Michael Halewood, Andrew Goffey, Jude Jones, James Bono, and the conference organizer, Roland Faber), by other theorists whose work I greatly admire (Jeff Bell, Nathan Brown, James Bradley), by some brilliant graduate students whom I had not met before (Michael Austin, Beatrice Marovich, Melanie Sehgal), and by 3/4 of the OOO crew (Graham Harman, Levi Bryant, Ian Bogost). Graham Harman and I were paired in what some characterized (here and here) as a grudge match (OK, I’m kidding), but it was a friendly rather than acrimonious argument, and I think we both agreed that the session went well. 

In any case, my own paper for the conference is available here (pdf) — though I regard it as a work in progress rather than a polished essay. Though it contains a continuation of my interchange with OOO, the real focus of the paper is on panpsychism, and what it might bring to current debates regarding “objects,” “things,” and “life” (sorry for the scare quotes, but they seem necessary in this context, to connote particular areas of contemporary discussion).