The Wicker Man

I finally got to see The Wicker Man, a British cult film from 1973 with a checkered release history, which was quite difficult to see until it was finally released (in cut form) on video and DVD in 2001. It’s a clever and effective ultra-low-budget horror thriller about a Scottish island where the inhabitants observe the old pagan customs, up to and including human sacrifice to propitiate the gods after a poor harvest. The protagonist is an uptight cop from the mainland, a devout Christian, who comes to investigate the alleged disappearance of a young girl, and is shocked and scandalized by the islanders’ sinful ways. The mood could be described as low-key delirious, with scenes ranging from hilariously kitschy (especially Biritt Eklund’s nude dance scene!) to genuinely creepy, to…. I’m not quite sure what to call Christopher Lee’s amazingly weird performance as Laird of the island and leader of the pagan cult: it’s sort of low-key demented and blandly cheerful at once. There are lots of other eccentric performances, and though the culminating Mayday pagan ceremony is a bit lethargic, the final plot twist is well staged and delightfully perverse. All in all, I was glad to finally see this film.

I finally got to see The Wicker Man, a British cult film from 1973 with a checkered release history, which was quite difficult to see until it was finally released (in cut form) on video and DVD in 2001. It’s a clever and effective ultra-low-budget horror thriller about a Scottish island where the inhabitants observe the old pagan customs, up to and including human sacrifice to propitiate the gods after a poor harvest. The protagonist is an uptight cop from the mainland, a devout Christian, who comes to investigate the alleged disappearance of a young girl, and is shocked and scandalized by the islanders’ sinful ways. The mood could be described as low-key delirious, with scenes ranging from hilariously kitschy (especially Biritt Eklund’s nude dance scene!) to genuinely creepy, to…. I’m not quite sure what to call Christopher Lee’s amazingly weird performance as Laird of the island and leader of the pagan cult: it’s sort of low-key demented and blandly cheerful at once. There are lots of other eccentric performances, and though the culminating Mayday pagan ceremony is a bit lethargic, the final plot twist is well staged and delightfully perverse. All in all, I was glad to finally see this film.