The Deep End, by Scott McGehee and David Siegel, is one of the finer independent films of 2001. Crossing noir and melodrama, the film is a fairly close remake of the last of Max Ophuls’ three Hollywood films, The Reckless Moment (1949).
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I just saw (on DVD) Richard Kelly’s Donnie Darko, which is an extraordinarily beautiful film, certainly one of the best movies of 2001. It’s a delicate, creepy, and quite affecting portrait of male teenage alienation and angst, subtly bathed in the colors of what might be described either as schizophrenic hallucination, or as science fiction….
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Seeing Monster’s Ball made me wish that James Baldwin were still alive, because Baldwin wrote the book on the racial hypocrisy of Hollywood. Monster’s Ball continues the tradition of films like The Defiant Ones and Guess Who’s Coming To Dinner–films that wear their ostensibly anti-racist messages on their sleeves, while actually continuing to perpetuate the worst racist stereotypes…
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