Far From Heaven

Todd Haynes’ Far From Heaven strikes me as the best American movie of 2002. It’s a brilliant recreation–more than a simulation–of a genre I have long loved, the 1950s melodrama; more particularly, it is a loose remake of, and homage to, the films of Douglas Sirk, most notably All That Heaven Allows (1955). Haynes recreates the style and feel of Sirk’s films, while also interrogating the relations between real life and cinematic depictions of it, as well as between 1950s culture and the culture we live in today. In doing this, Haynes illuminates matters of gender and sexuality in a remarkable way. He endeavors to do this also for race; but race relations are the one area in which (alas) the film doesn’t succeed…
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Rewriting the Code of Life

Donna Haraway is right. “The boundary between science fiction and social reality is an optical illusion.” Consider how scientists have recently reprogrammed bacteria to use a new amino acid. That is to say, they have not only introduced a 21st amino acid into the bacterium’s environment–in addition to the naturally existing twenty–but also reprogrammed the bacteria’s DNA to code for this new amino acid, so that the organism has genetic instructions for adding the acid to its proteins….
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One of my New Year’s resolutions for 2003 was to write more in this blog than I did last year–even if the entries are less polished (& hence less good).

I’ll start by talking about Abel Ferrara’s R-Xmas–which I think is the greatest Christmas movie, ever….
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